Classics

"An essential volume" --Hua Hsu, The New Yorker

The collective voice of Japanese Americans defined by a specific moment in time: the four years of World War II during which the US government expelled resident aliens and its own citizens from their homes and imprisoned 125,000 of them in American concentration camps, based solely upon the race they shared with a wartime enemy.

A Penguin Classic

This anthology presents a new vision that recovers and reframes the literature produced by the people targeted by the actions of President Franklin D. Roosevelt and Congress to deny Americans of Japanese ancestry any individual hearings or other due process after the Japanese attack at Pearl Harbor. From nearly seventy selections of fiction, poetry, essays, memoirs, and letters emerges a shared story of the struggle to retain personal integrity in the face of increasing dehumanization - all anchored by the key government documents that incite the action.

The selections favor the pointed over the poignant, and the unknown over the familiar, with several new translations among previously unseen works that have been long overlooked on the shelf, buried in the archives, or languished unread in the Japanese language. The writings are presented chronologically so that readers can trace the continuum of events as the incarcerees experienced it.

The contributors span incarcerees, their children born in or soon after the camps, and their descendants who reflect on the long-term consequences of mass incarceration for themselves and the nation. Many of the voices are those of protest. Some are those of accommodation. All are authentic. Together they form an epic narrative with a singular vision of America's past, one with disturbing resonances with the American present.

Louisa May Alcott's Little Women was a critically acclaimed bestseller upon its publication in 1868. It tells the story of sisters Meg, Jo, Beth, and Amy March--each a young woman with a distinctive and relatable personality, a rare feature for a children's novel at the time. The novel continues to resonate with readers as a timeless tale of growing up.

This is the first modern edition of Little Women to feature the complete illustrations of Clara Miller Burd, originally executed in 1926. Burd's brilliant color plates and detailed drawings bring the world of the March family to life. An introduction by Alice A. Carter, an expert on Golden Age illustration, explores Burd's life and the work of early twentieth-century women illustrators. This new edition, handsomely bound in cloth, will be the perfect gift for all devotees of Little Women.

With his journeys through Hell and Purgatory complete, Dante is at last led by his beloved Beatrice to Paradise. Where his experiences in the Inferno and Purgatorio were arduous and harrowing, this is a journey of comfort, revelation, and, above all, love-both romantic and divine. Robert Hollander is a Dante scholar of unmatched reputation and his wife, Jean, is an accomplished poet. Their verse translation with facing-page Italian combines maximum fidelity to Dante's text with the artistry necessary to reflect the original's virtuosity. They have produced the clearest, most accurate, and most readable translation of the three books of The Divine Comedy, with unsurpassable footnotes and introductions, likely to be a touchstone for generations to come.

"Probably the most finely accomplished and ... most enduring" translation (Los Angeles Times Book Review) of this essential work of world literature--from a renowned scholar and master teacher of Dante and an accomplished poet.

"The Hollanders ... act as latter-day Virgils, guiding us through the Italian text that is printed on the facing page." --The Economist

The epic grandeur of Dante's masterpiece has inspired readers for 700 years, and has entered the human imagination. But the further we move from the late medieval world of Dante, the more a rich understanding and enjoyment of the poem depends on knowledgeable guidance. Robert Hollander and Jean Hollander have written a beautifully accurate and clear verse translation of the first volume of Dante's epic poem, the Divine Comedy. Featuring the original Italian text opposite the translation, this edition also offers an extensive and accessible introduction and generous commentaries that draw on centuries of scholarship as well as Robert Hollander's own decades of teaching and research. The Hollander translation is the new standard in English of this essential work.