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General Fiction
Roxanne says: An excellent relationship fiction book centered on a pre-med student on the doctor fast track. The main character Yasmin begins to questions her career path and relationship. Was she pressured by her doctor father or is this really her true calling? Is her relationship with another doctor simply something that appears model perfect or does it really meet her needs?
"Allende's storytelling walks a lyrical romanticism on roads imposed by social and political turmoil."--NPR Vienna, 1938. Samuel Adler is five years old when his father disappears during Kristallnacht--the night his family loses everything. As her child's safety becomes ever harder to guarantee, Samuel's mother secures a spot for him on a Kindertransport train out of Nazi-occupied Austria to England. He boards alone, carrying nothing but a change of clothes and his violin. Arizona, 2019. Eight decades later, Anita Díaz and her mother board another train, fleeing looming danger in El Salvador and seeking refuge in the United States. But their arrival coincides with the new family separation policy, and seven-year-old Anita finds herself alone at a camp in Nogales. She escapes her tenuous reality through her trips to Azabahar, a magical world of the imagination. Meanwhile, Selena Durán, a young social worker, enlists the help of a successful lawyer in hopes of tracking down Anita's mother. Intertwining past and present, The Wind Knows My Name tells the tale of these two unforgettable characters, both in search of family and home. It is both a testament to the sacrifices that parents make and a love letter to the children who survive the most unfathomable dangers--and never stop dreaming.
Literary icon and great American novelist Julia Alvarez, bestselling author of In the Time of the Butterflies and How the García Girls Lost Their Accents, returns with a luminescent novel about storytelling that reads like an instant classic.
"Only an alchemist as wise and sure as Alvarez could swirl the elements of folklore and the flavor of magical realism around her modern prose and make it all sing . . . Lively, joyous . . . often witty, occasionally somber and elegiac." --Luis Alberto Urrea, The New York Times Book Review "Engaging and written in a playful, crystal-clear prose, this novel explores friendship, love, sisterhood, living between cultures, and how people can be haunted by the things they don't finish . . . Entertaining . . . Heartwarming." --Gabino Iglesias, The Boston Globe **Named a Most Anticipated Book by the New York Times, Washington Post, Today.com, Goodreads, B&N Reads, Literary Hub, HipLatina, BookPage, BBC.com, Zibby Mag, and more** Alma Cruz, the celebrated writer at the heart of The Cemetery of Untold Stories, doesn't want to end up like her friend, a novelist who fought so long and hard to finish a book that it threatened her sanity. So when Alma inherits a small plot of land in the Dominican Republic, her homeland, she has the beautiful idea of turning it into a place to bury her untold stories--literally. She creates a graveyard for the manuscript drafts and the characters whose lives she tried and failed to bring to life and who still haunt her.
Alma wants her characters to rest in peace. But they have other ideas and soon begin to defy their author: they talk back to her and talk to one another behind her back, rewriting and revising themselves. Filomena, a local woman hired as the groundskeeper, becomes a sympathetic listener to the secret tales unspooled by Alma's characters. Among them, Bienvenida, dictator Rafael Trujillo's abandoned wife who was erased from the official history, and Manuel Cruz, a doctor who fought in the Dominican underground and escaped to the United States.
Named one of Time's 100 best novels in the English language, Money is "savagely hilarious. It risks, it boils with energy . . . it even manages to shock" (The Washington Post).
Including a new introduction by Lorrie Moore, author of I Am Homeless If This Is Not My HomeOriginally published in 1984, Martin Amis's classic novel Money is a searing critique of late-stage capitalism that remains a poignant and relevant commentary on the trappings of materialism and the illusions of success. Money is everything. Especially to John Self, a successful commercial director from London. He spends his days steeped in booze and pornography and prostitutes, lost in the hedonistic lifestyle of his peers. But John has bigger dreams, and he sets off for America on the invitation of the filmmaker Fielding Goodney in the hope of getting his first feature film, titled Good Money, off the ground. It is in America where John must contend with his degenerative proclivities, or risk the life he's built. Money is Martin Amis at his very best: a hilarious, razor-sharp, and wholly singular storyteller.
Newly reissued for the modern reader, Martin Amis's Success is "a terrifying, painfully funny, Swiftian exercise in moral disgust" (The Observer).
Foster brothers Terence Service and Gregory Riding could not be more different from one another--Terry "a quivering condom of neurosis and ineptitude" and Greg a "bundle of contempt, vanity and stock-response." After the shocking killing of Terry's child sister, he is taken in by the aristocratic and wealthy Riding family and introduced to his new foster brother and sister, Greg and Ursula. As adults, the two boys unhappily share a tiny apartment in London. Greg spends his days tormenting Terry and engaging in plenty of messy, meaningless sex, while Terry suffers through a dead-end job and exists wholly in his brother's cold and looming shadow, licking his wounds from a lifetime of romantic and social failures. Told throughout the course of one year in Terry and Greg's lives, Success shows just how fickle luck can be, and how quickly one's life can be totally, horribly changed. With caustic, searing prose, Success is a firecracker revenge story for the ages.