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Short Stories
A collection of the New Yorker critic's finest essays, which examine the books that reveal and record our world.
Joan Acocella was "one of our finest cultural critics" (Edward Hirsch), and she had the rare ability to examine literature and unearth the lives contained within it--its authors, its subjects, and the communities from which it springs. In her hands, arts criticism was a celebration and an investigation, and her essays pulse with unadulterated enthusiasm. As Kathryn Harrison wrote in The New York Times Book Review, "Hers is a vision that allows art its mystery but not its pretensions, to which she is acutely sensitive. What better instincts could a critic have?" The Bloodied Nightgown and Other Essays gathers twenty-four essays from the final decade and a half of Acocella's career, as well as an introduction that frames her simple preoccupations: "life and art." In agile, inspired prose, she moves from J. R. R. Tolkien's translation of Beowulf to the life of Richard Pryor, from surveying profanity to untangling the book of Job. Her appetite (and reading list) knew no bounds. This collection is a joy and a revelation, a library in itself, and Acocella is our dream companion among its shelves. Includes 25 black-and-white imagesBryn says: If you like Childish Gambino's "This is America," you'll love "Friday Black." Using fantastical elements and fierce humor, these stories confront the painful absurdities that black men and women contend with every day. You'll see that the truth is what's most disturbing.
NEW YORK TIMES BESTSELLER. A piercingly raw debut story collection from a young writer with an explosive voice; a treacherously surreal, and, at times, heartbreakingly satirical look at what it’s like to be young and black in America.
From the start of this extraordinary debut, Nana Kwame Adjei-Brenyah’s writing will grab you, haunt you, enrage and invigorate you. By placing ordinary characters in extraordinary situations, Adjei-Brenyah reveals the violence, injustice, and painful absurdities that black men and women contend with every day in this country.
These stories tackle urgent instances of racism and cultural unrest, and explore the many ways we fight for humanity in an unforgiving world. In “The Finkelstein Five,” Adjei-Brenyah gives us an unforgettable reckoning of the brutal prejudice of our justice system. In “Zimmer Land,” we see a far-too-easy-to-believe imagining of racism as sport. And “Friday Black” and “How to Sell a Jacket as Told by IceMan” show the horrors of consumerism and the toll it takes on us all.
Entirely fresh in its style and perspective, and sure to appeal to fans of Colson Whitehead, Marlon James, and George Saunders, Friday Black confronts readers with a complicated, insistent, wrenching chorus of emotions, the final note of which, remarkably, is hope.
In this beguiling collection of twelve imaginative stories set in Lagos, Nigeria, 'Pemi Aguda dramatizes the tension between our yearning to be individuals and the ways we are haunted by what came before.
In "Manifest," a woman sees the ghost of her abusive mother in her daughter's face. Shortly after, the daughter is overtaken by wicked and destructive impulses. In "Breastmilk," a wife forgives her husband for his infidelity. Months later, when she is unable to produce milk for her newborn, she blames herself for failing to uphold her mother's feminist values and doubts her fitness for motherhood. In "Things Boys Do," a trio of fathers finds something unnatural and unnerving about their infant sons. As their lives rapidly fall to pieces, they begin to fear that their sons are the cause of their troubles. And in "24, Alhaji Williams Street," a teenage boy lives in the shadow of a mysterious disease that's killing the boys on his street.
These and other stories in Ghostroots map emotional and physical worlds that lay bare the forces of family, myth, tradition, gender, and modernity in Nigerian society. Powered by a deep empathy and glinting with humor, they announce a major new literary talent.
Andrea says: Three interesting short stories that depict life in a small town in upstate New York. Banks describes quiet desperation with elegance. Banks heard these stories at the local bar in the town where he has a home. The characters made me sad in their reality (poor, misinformed), and the stories made me hurt for the state of the world today.
In Natural History, Andrea Barrett completes the beautiful arc of intertwined lives of a family of scientists, teachers, and innovators that she has been weaving through multiple books since her National Book Award-winning collection, Ship Fever. The six exquisite stories in Natural History are set largely in a small community in central New York state and portray some of her most beloved characters, spanning the decades between the Civil War to the present day. In "Henrietta and Her Moths," a woman tends to an insect nursery as her sister's life follows a different path. In "Open House," a young man grapples with a choice between a thrilling life spent discovering fossils and a desire to remain close to home. And in the magnificent title novella, "Natural History," Barrett deepens the connection between her characters, bringing us through to the present day and providing an unforgettable capstone.
Told with Barrett's characteristic elegance, passion for science, and wonderful eye for the natural world, the psychologically astute and moving stories gathered in this collection evoke the ways women's lives and expectations--in families, in work, and in love--have shifted across a century and more. Building upon one another, these tales brilliantly culminate to reveal how the smallest events of the past can have large reverberations across the generations, and how potent, wondrous, and strange the relationship between history and memory can be.
Servants of the Map sweeps through two centuries, from the Western Himalayas to the Adirondacks, conjuring characters that travel through the territories of yearning and awakening, of loss and unexpected discovery. A mapper of the highest mountain peaks realizes his true obsession. A young woman afire with scientific curiosity must come to terms with a romantic fantasy. Brothers and sisters, torn apart at an early age, are beset by dreams of reunion. As we move through these richly layered tales, Andrea Barrett weaves subtle connections among the stories within this collection and characters in her earlier works.
In "Ship Fever," the title novella, a young Canadian doctor finds himself at the center of one of history's most tragic epidemics. In "The English Pupil," Linnaeus, in old age, watches as the world he organized within his head slowly drifts beyond his reach. And in "The Littoral Zone," two marine biologists wonder whether their life-altering affair finally was worth it.
In the tradition of Alice Munro and William Trevor, these exquisitely rendered fictions encompass whole lives in a brief space. As they move between interior and exterior journeys, "science is transformed from hard and known fact into malleable, strange and thrilling fictional material" (Boston Globe).
With three novels and two short story collections published, Kevin Barry has steadily established his stature as one of the finest writers not just in Ireland but in the English language. All of his prodigious gifts of language, character, and setting in these eleven exquisite stories transport the reader to an Ireland both timeless and recognizably modern. Shot through with dark humor and the uncanny power of the primal and unchanging Irish landscape, the stories in That Old Country Music represent some of the finest fiction being written today.