Fiction

Eniola is tall for his age, a boy who looks like a man. Because his father has lost his job, Eniola spends his days running errands for the local tailor, collecting newspapers, begging when he must, dreaming of a big future.

Wuraola is a golden girl, the perfect child of a wealthy family. Now an exhausted young doctor in her first year of practice, she is beloved by Kunle, the volatile son of an ascendant politician.

When a local politician takes an interest in Eniola and sudden violence shatters a family party, Wuraola's and Eniola's lives become intertwined. In her breathtaking second novel, Ayọ̀bámi Adébáyọ̀ shines her light on Nigeria, on the gaping divide between the haves and the have-nots, and the shared humanity that lives in between.

Chiamaka is a Nigerian travel writer living in America. Alone in the midst of the pandemic, she recalls her past lovers and grapples with her choices and regrets. Zikora, her best friend, is a lawyer who has been successful at everything until--betrayed and brokenhearted--she must turn to the person she thought she needed least. Omelogor, Chiamaka's bold, outspoken cousin, is a financial powerhouse in Nigeria who begins to question how well she knows herself. And Kadiatou, Chiamaka's housekeeper, is proudly raising her daughter in America--but faces an unthinkable hardship that threatens all she has worked to achieve.

In Dream Count, Adichie trains her fierce eye on these women in a sparkling, transcendent novel that takes up the very nature of love itself. Is true happiness ever attainable or is it just a fleeting state? And how honest must we be with ourselves in order to love, and to be loved? A trenchant reflection on the choices we make and those made for us, on daughters and mothers, on our interconnected world, Dream Count pulses with emotional urgency and poignant, unflinching observations of the human heart, in language that soars with beauty and power. It confirms Adichie's status as one of the most exciting and dynamic writers on the literary landscape.

Bryn says: If you like Childish Gambino's "This is America," you'll love "Friday Black." Using fantastical elements and fierce humor, these stories confront the painful absurdities that black men and women contend with every day. You'll see that the truth is what's most disturbing.

NEW YORK TIMES BESTSELLER. A piercingly raw debut story collection from a young writer with an explosive voice; a treacherously surreal, and, at times, heartbreakingly satirical look at what it’s like to be young and black in America.

From the start of this extraordinary debut, Nana Kwame Adjei-Brenyah’s writing will grab you, haunt you, enrage and invigorate you. By placing ordinary characters in extraordinary situations, Adjei-Brenyah reveals the violence, injustice, and painful absurdities that black men and women contend with every day in this country.

These stories tackle urgent instances of racism and cultural unrest, and explore the many ways we fight for humanity in an unforgiving world. In “The Finkelstein Five,” Adjei-Brenyah gives us an unforgettable reckoning of the brutal prejudice of our justice system. In “Zimmer Land,” we see a far-too-easy-to-believe imagining of racism as sport. And “Friday Black” and “How to Sell a Jacket as Told by IceMan” show the horrors of consumerism and the toll it takes on us all.

Entirely fresh in its style and perspective, and sure to appeal to fans of Colson Whitehead, Marlon James, and George Saunders, Friday Black confronts readers with a complicated, insistent, wrenching chorus of emotions, the final note of which, remarkably, is hope.

From the son of acclaimed author James Agee, a haunting novel depicting an American boy's childhood in Mexico, ensconced in a world comprised of communist European exiles, local union activists, street children, and avant-garde artists like Frida Kahlo.

Joel Agee's hallucinatory first novel begins in a house with a large garden in an unnamed Mexican town in the late 1940s, where six-and-a-half-year-old Peter reads, dreams, and plays with his friends. He is a nascent explorer, artist, philosopher, mystic, and scientist. His world is still new, not yet papered over with received knowledge.

And the actual world around him is a unique one in history: a community of leftist emigrés who have found refuge in Mexico from the Nazi and fascist regimes of Europe, rubbing shoulders with Mexican labor activists and leftists such as Frida Kahlo.

But the emigrés long for home -- including Peter's step-father, who wants to return to his native Germany. Going back to Europe may not be safe for any of them yet, however, which gives rise to anguished arguments among Peter's parents's and their tight group of friends.

And slowly, Peter begins to comprehend that his world may be turned upside down - that he might be forced to take leave of everyone he knows: his best friend, Arón; his father's friend Sándor, who talks about revolution and performs magic tricks; and Zita, the family's live-in-maid, who has taught him the consoling mysteries of prayer . . .

Steeped in the magic and myths of childhood -- yet haunted by a harsh adult world bedeviled by instability and political turmoil -- Joel Agee's The Stone World is an unforgettable portrait of a family that will inevitably invite comparison with another classic family story, that of his father James Agee's A Death in the Family.