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Fiction
"A delightful debut." -People
An atmospheric gothic mystery that beautifully brings the ancient Cornish countryside to life, Armstrong introduces heroine Ruby Vaughn in her Minotaur Books & Mystery Writers of America First Crime Novel Award-winning debut, The Curse of Penryth Hall. After the Great War, American heiress Ruby Vaughn made a life for herself running a rare bookstore alongside her octogenarian employer and house mate in Exeter. She's always avoided dwelling on the past, even before the war, but it always has a way of finding her. When Ruby is forced to deliver a box of books to a folk healer living deep in the Cornish countryside, she is brought back to the one place she swore she'd never return. A more sensible soul would have delivered the package and left without rehashing old wounds. But no one has ever accused Ruby of being sensible. Thus begins her visit to Penryth Hall. A foreboding fortress, Penryth Hall is home to Ruby's once dearest friend, Tamsyn, and her husband, Sir Edward Chenowyth. It's an unsettling place, and after a more unsettling evening, Ruby is eager to depart. But her plans change when Penryth's bells ring for the first time in thirty years. Edward is dead; he met a gruesome end in the orchard, and with his death brings whispers of a returned curse. It also brings Ruan Kivell, the person whose books brought her to Cornwall, the one the locals call a Pellar, the man they believe can break the curse. Ruby doesn't believe in curses--or Pellars--but this is Cornwall and to these villagers the curse is anything but lore, and they believe it will soon claim its next victim: Tamsyn. To protect her friend, Ruby must work alongside the Pellar to find out what really happened in the orchard that night.Set during the Great Depression, an immersive and enchantingly atmospheric novel about a girl and a bear raised as sister and brother in a remote logging camp, and the lengths to which they'll go to protect each other.
New Brunswick, 1934. When a cook in a logging camp finds an orphaned baby bear, he brings it home to his wife, who names the cub Bruno and raises him alongside her newborn daughter, Pearly. Growing up, Pearly and Bruno share a special bond and become inseparable. While life in the camp can be perilous--loggers are regularly injured or even killed--the Everlasting family form a close-knit community with the woodsmen, who accept and embrace the tame young bear.
But all that changes when a new supervisor arrives, a ruthless profiteer who pushes the workers to their breaking point and abuses Bruno. When the man is found dead in a ditch, the blame falls on the bear; soon after, Bruno is kidnapped and sold to an animal trader. Determined to rescue the only brother she has ever known, Pearly, now a teenager, sets off alone on a hazardous journey through the forest--her first trip to "the Outside"--to find him. In the harrowing quest to bring him home through miles of ice and snow, eluding malevolent spirits and the cruelty of strange villagers, she will discover new worlds and a strength she never knew she possessed.
Steeped in rural folklore and superstition, and set against the backdrop of an enchanting woodland, Pearly Everlasting is a story about the triumph of good over evil, the beauty of the natural world, and the bonds that cannot be broken.
1) A robot may not injure a human being or, through inaction, allow a human being to come to harm.
2) A robot must obey orders given to it by human beings except where such orders would conflict with the First Law.
3) A robot must protect its own existence as long as such protection does not conflict with the First or Second Law. With these three, simple directives, Isaac Asimov formulated the laws governing robots' behavior. In I, Robot, Asimov chronicles the development of the robot from its primitive origins in the present to its ultimate perfection in the not-so-distant future--a future in which humanity itself may be rendered obsolete. "Tremendously exciting and entertaining . . . Asimov dramatizes an interesting question: How can we live with machines that, generation by generation, grow more intelligent than their creators and not eventually clash with our own invention?"--The Chicago Tribune
Melanie says: MI5 agent and later turned BBC producer finds enemies she’d made have reappeared. For Anglophiles, fans of espionage, and comical witty language.