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Graphic Novels
She'll get you the weapon you need, when you need it, where you need it - no matter how impossible. But when a gun smuggled into a high-security prison leads to the death of dozens and the escape of a brutal criminal, Joanna Tan is suddenly forced by the U.S. government to do a job for them: find the man she set loose and bring him down. Features bonus material including the story of the real Gun Honey and much more!
"An exceptionally beautiful book about loneliness, labor, and survival."--Carmen Maria Machado
Before there was Kate Beaton, New York Times bestselling cartoonist of Hark! A Vagrant, there was Katie Beaton of the Cape Breton Beaton, specifically Mabou, a tight-knit seaside community where the lobster is as abundant as beaches, fiddles, and Gaelic folk songs. With the singular goal of paying off her student loans, Katie heads out west to take advantage of Alberta's oil rush--part of the long tradition of East Coasters who seek gainful employment elsewhere when they can't find it in the homeland they love so much. Katie encounters the harsh reality of life in the oil sands, where trauma is an everyday occurrence yet is never discussed. Beaton's natural cartooning prowess is on full display as she draws colossal machinery and mammoth vehicles set against a sublime Albertan backdrop of wildlife, northern lights, and boreal forest. Her first full length graphic narrative, Ducks: Two Years in the Oil Sands is an untold story of Canada: a country that prides itself on its egalitarian ethos and natural beauty while simultaneously exploiting both the riches of its land and the humanity of its people.
The Best Graphic Book of 2021 by Publishers Weekly A New York Times Best Graphic Novel of 2021 A New York Times Notable Book An Autostraddle Best Queer Book of the Year A Boston Globe Best Book of the Year A St. Louis Post Dispatch Best Book of the Year NPR, 12 Books NPR Staffers Loved Shelf Awareness Best Books of 2021
From the author of Fun Home, a profoundly affecting graphic memoir of Bechdel's lifelong love affair with exercise, set against a hilarious chronicle of fitness fads in our times
Comics and cultural superstar Alison Bechdel delivers a deeply layered story of her fascination, from childhood to adulthood, with every fitness craze to come down the pike: from Jack LaLanne in the 60s ("Outlandish jumpsuit! Cantaloupe-sized guns!") to the existential oddness of present-day spin class. Readers will see their athletic or semi-active pasts flash before their eyes through an ever-evolving panoply of running shoes, bicycles, skis, and sundry other gear. But the more Bechdel tries to improve herself, the more her self appears to be the thing in her way. She turns for enlightenment to Eastern philosophers and literary figures, including Beat writer Jack Kerouac, whose search for self-transcendence in the great outdoors appears in moving conversation with the author's own. This gifted artist and not-getting-any-younger exerciser comes to a soulful conclusion. The secret to superhuman strength lies not in six-pack abs, but in something much less clearly defined: facing her own non-transcendent but all-important interdependence with others.
A heartrendingly comic chronicle for our times.
"A moving portrait . . . funny and touching, intellectually and emotionally stimulating. There's pride and prejudice, family drama, and a love story. I loved this book. You will too."
--Victor LaValle, author of The Changeling
Darrin Bell was six years old when his mother told him he couldn't have a realistic water gun. She said she feared for his safety, that police tend to think of little Black boys as older and less innocent than they really are.
Through evocative illustrations and sharp humor, Bell examines how The Talk shaped intimate and public moments from childhood to adulthood. While coming of age in Los Angeles--and finding a voice through cartooning--Bell becomes painfully aware of being regarded as dangerous by white teachers, neighbors, and police officers and thus of his mortality. Drawing attention to the brutal murders of African Americans and showcasing revealing insights and cartoons along the way, he brings us up to the moment of reckoning when people took to the streets protesting the murders of George Floyd and Breonna Taylor. And now Bell must decide whether he and his own six-year-old son are ready to have The Talk.
The cartoonist Léonie Bischoff traces the life of the prolific writer in this lushly colored graphic novel. It begins with Nin struggling to reconcile the man she married (who had artistic aspirations) with the banker she finds herself living with in the Parisian suburbs. Soon, her obsession with June Miller leads to inspiration. Nin's life and art, the truth and fiction, are further intertwined as she recounts her many sexual liaisons including those with Henry Miller (whom she and her husband subsidize so he can write the controversial Tropic of Cancer), her psychoanalysts, and even her father. Although Bischoff's drawing is largely representational, she occasionally depicts Nin's sexual experiences in scenes as surreal as Nin's own written portrayal of them.
A seasoned cartoonist of epic proportions, Brandon-Croft carves out space for Black women's perspectives in her nationally syndicated strip
Few Black cartoonists have entered national syndication, and before Barbara Brandon-Croft, none of them were women. From 1989 to 2005, she brought Black women's perspectives to an international audience with her trailblazing comic strip Where I'm Coming From.
Living & Dying in America includes many lovingly drawn portraits of those who died in the pandemic and of those who displayed extraordinary strength, decency, courage, and endurance. But Brodner does not ignore those who perpetuated the pandemic in word or deed: he also etches in acid caricature those public servants and private entrepreneurs who preyed upon the public, spread lies, and aided the virus' spread through their ignorance, incompetence, and malfeasance. Released via Brodner's daily column in The Nation, the drawings range from quick, expertly realized sketches to elaborate paintings to carefully rendered mixed media, depending on how much time and stamina and inspiration he had left at the end of the day. Each spontaneously drawn or painted image is accompanied by a brief biography of those who died, or a short summary of the person's conduct or the event depicted.
Taken as a whole, Living & Dying in America is a chronicle of those who died and those who honorably served the living -- as well as an indictment of those institutions and political figures who betrayed the public trust. It is a searing and essential moral document, written and drawn on a daily basis with feverish intensity by one of the great forces of American cartooning.