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Biography
[An] illuminating memoir. --Corinna da Fonseca-Wollheim, The New York Times
The story of a composer's life in the Alaskan wilderness and a meditation on making art in a landscape acutely threatened by climate change
Los Angeles Times, and Publisher's Weekly Bestseller. In this candid and often hilarious memoir, the celebrated director, comedian, writer, and actor offers a comprehensive, personal look at his tumultuous life. Beginning with his Brooklyn childhood and his stint as a writer for the Sid Caesar variety show in the early days of television, working alongside comedy greats, Allen tells of his difficult early days doing standup before he achieved recognition and success. With his unique storytelling pizzazz, he recounts his departure into moviemaking, with such slapstick comedies as Take the Money and Run, and revisits his entire, sixty-year-long, and enormously productive career as a writer and director, from his classics Annie Hall, Manhattan, and Annie and Her Sisters to his most recent films, including Midnight in Paris. Along the way, he discusses his marriages, his romances and famous friendships, his jazz playing, and his books and plays. We learn about his demons, his mistakes, his successes, and those he loved, worked with, and learned from in equal measure. This is a hugely entertaining, deeply honest, rich and brilliant self-portrait of a celebrated artist who is ranked among the greatest filmmakers of our time.
"I Know Why the Caged Bird Sings liberates the reader into life simply because Maya Angelou confronts her own life with such a moving wonder, such a luminous dignity."--James Baldwin
Kate says: A book as joyous and painful, as mysterious and memorable, as childhood itself.
LET THE FUTURE BEGIN is the autobiography of Dennis W. Archer, born in Detroit, who rose from humble beginnings in the small town of Cassopolis, Michigan, to become a celebrated attorney, a Michigan Supreme Court Justice, a two-term Mayor of Detroit, and the first person of color to serve as President of the 400,000-member American Bar Association.
Thanks to education, hard work, impeccable integrity, and family values, Dennis Archer has blazed a trail of diversity and inclusion in the legal profession while laying a rock-solid foundation to transform Detroit into the comeback city of the millennium. He achieved this with the support of his wife Trudy, their sons, Dennis Jr. and Vincent, relatives, friends, and colleagues.
This inspiring book shares how he did it, and provides a blueprint for how to emulate his success and commitment to helping others.
A Publishers Weekly Best Book of the Year National Book Award-winning biographer Deirdre Bair explores her fifteen remarkable years in Paris with Samuel Beckett and Simone de Beauvoir, painting intimate new portraits of two literary giants and revealing secrets of the biographical art.
In 1971 Deirdre Bair was a journalist and recently minted Ph.D. who managed to secure access to Nobel Prize-winning author Samuel Beckett. He agreed that she could be his biographer despite her never having written--or even read--a biography before. The next seven years comprised of intimate conversations, intercontinental research, and peculiar cat-and-mouse games. Battling an elusive Beckett and a string of jealous, misogynistic male writers, Bair persevered. She wrote Samuel Beckett: A Biography, which went on to win the National Book Award and propel Deirdre to her next subject: Simone de Beauvoir. The catch? De Beauvoir and Beckett despised each other--and lived essentially on the same street. Bair learned that what works in terms of process for one biography rarely applies to the next. Her seven-year relationship with the domineering and difficult de Beauvoir required a radical change in approach, yielding another groundbreaking literary profile and influencing Bair's own feminist beliefs.
Parisian Lives draws on Bair's extensive notes from the period, including never-before-told anecdotes. This gripping memoir is full of personality and warmth and gives us an entirely new window on the all-too-human side of these legendary thinkers.
A New York Times bestseller
A USA Today bestseller
The publication of Renia's Diary offers a reminder of the power of bearing witness. --The New York Times Renia Spiegel was born in 1924 to an upper-middle class Jewish family living in southeastern Poland, near what was at that time the border with Romania. At the start of 1939 Renia began a diary. "I just want a friend. I want somebody to talk to about my everyday worries and joys. Somebody who would feel what I feel, who would believe me, who would never reveal my secrets. A human being can never be such a friend and that's why I have decided to look for a confidant in the form of a diary." And so begins an extraordinary document of an adolescent girl's hopes and dreams. By the fall of 1939, Renia and her younger sister Elizabeth (née Ariana) were staying with their grandparents in Przemysl, a city in the south, just as the German and Soviet armies invaded Poland. Cut off from their mother, who was in Warsaw, Renia and her family were plunged into war. Like Anne Frank, Renia's diary became a record of her daily life as the Nazis spread throughout Europe. Renia writes of her mundane school life, her daily drama with best friends, falling in love with her boyfriend Zygmund, as well as the agony of missing her mother, separated by bombs and invading armies. Renia had aspirations to be a writer, and the diary is filled with her poignant and thoughtful poetry. When she was forced into the city's ghetto with the other Jews, Zygmund is able to smuggle her out to hide with his parents, taking Renia out of the ghetto, but not, ultimately to safety. The diary ends in July 1942, completed by Zygmund, after Renia is murdered by the Gestapo. Renia's Diary has been translated from the original Polish, and includes a preface, afterword, and notes by her surviving sister, Elizabeth Bellak. An extraordinary historical document, Renia Spiegel survives through the beauty of her words and the efforts of those who loved her and preserved her legacy.
In the first portrait of James Beard in twenty-five years, John Birdsall accomplishes what no prior telling of Beard's life and work has done: He looks beyond the public image of the "Dean of American Cookery" to give voice to the gourmet's complex, queer life and, in the process, illuminates the history of American food in the twentieth century. At a time when stuffy French restaurants and soulless Continental cuisine prevailed, Beard invented something strange and new: the notion of an American cuisine.
Informed by previously overlooked correspondence, years of archival research, and a close reading of everything Beard wrote, this majestic biography traces the emergence of personality in American food while reckoning with the outwardly gregarious Beard's own need for love and connection, arguing that Beard turned an unapologetic pursuit of pleasure into a new model for food authors and experts.
Born in Portland, Oregon, in 1903, Beard would journey from the pristine Pacific Coast to New York's Greenwich Village by way of gay undergrounds in London and Paris of the 1920s. The failed actor-turned-Manhattan canapé hawker-turned-author and cooking teacher was the jovial bachelor uncle presiding over America's kitchens for nearly four decades. In the 1940s he hosted one of the first television cooking shows, and by flouting the rules of publishing would end up crafting some of the most expressive cookbooks of the twentieth century, with recipes and stories that laid the groundwork for how we cook and eat today.
In stirring, novelistic detail, The Man Who Ate Too Much brings to life a towering figure, a man who still represents the best in eating and yet has never been fully understood--until now. This is biography of the highest order, a book about the rise of America's food written by the celebrated writer who fills in Beard's life with the color and meaning earlier generations were afraid to examine.
A poignant, hilarious, and inspiring memoir from the first Latino and openly gay inaugural poet, which explores his coming-of-age as the child of Cuban immigrants and his attempts to understand his place in America while grappling with his burgeoning artistic and sexual identities.
Richard Blanco's childhood and adolescence were experienced between two imaginary worlds: his parents' nostalgic world of 1950s Cuba and his imagined America, the country he saw on reruns of The Brady Bunch and Leave it to Beaver--an "exotic" life he yearned for as much as he yearned to see "la patria."
Navigating these worlds eventually led Blanco to question his cultural identity through words; in turn, his vision as a writer--as an artist--prompted the courage to accept himself as a gay man. In this moving, contemplative memoir, the 2013 inaugural poet traces his poignant, often hilarious, and quintessentially American coming-of-age and the people who influenced him.
A prismatic and lyrical narrative rich with the colors, sounds, smells, and textures of Miami, Richard Blanco's personal narrative is a resonant account of how he discovered his authentic self and ultimately, a deeper understanding of what it means to be American. His is a singular yet universal story that beautifully illuminates the experience of "becoming;" how we are shaped by experiences, memories, and our complex stories: the humor, love, yearning, and tenderness that define a life.
--The AdvocateRembrandt van Rijn's early years are as famously shrouded in mystery as Shakespeare's, and his life has always been an enigma. How did a miller's son from a provincial Dutch town become the greatest artist of his age? How in short, did Rembrandt become Rembrandt?
Seeking the roots of Rembrandt's genius, the celebrated Dutch writer Onno Blom immersed himself in Leiden, the city in which Rembrandt was born in 1606 and where he spent his first twenty-five years. It was a turbulent time, the city having only recently rebelled against the Spanish. There are almost no written records by or about Rembrandt, so Blom tracked down old maps, sought out the Rembrandt family house and mill, and walked the route that Rembrandt would have taken to school. Leiden was a bustling center of intellectual life, and Blom, a native of Leiden himself, brings to life all the places Rembrandt would have known: the university, library, botanical garden, and anatomy theater. He investigated the concerns and tensions of the era: burial rites for plague victims, the renovation of the city in the wake of the Spanish siege, the influx of immigrants to work the cloth trade. And he examined the origins and influences that led to the famous and beloved paintings that marked the beginning of Rembrandt's celebrated career as the paramount painter of the Dutch Golden Age.
Young Rembrandt is a fascinating portrait of the artist and the world that made him. Evocatively told and beautifully illustrated with more than 100 color images, it is a superb biography that captures Rembrandt for a new generation.
WINNER OF THE 2020 PULITZER PRIZE IN GENERAL NONFICTION
The Undying is a startling, urgent intervention in our discourses about sickness and health, art and science, language and literature, and mortality and death. In dissecting what she terms 'the ideological regime of cancer, ' Anne Boyer has produced a profound and unforgettable document on the experience of life itself. --Sally Rooney, author of Normal People
Anne Boyer's radically unsentimental account of cancer and the 'carcinogenosphere' obliterates cliche. By demonstrating how her utterly specific experience is also irreducibly social, she opens up new spaces for thinking and feeling together. The Undying is an outraged, beautiful, and brilliant work of embodied critique. --Ben Lerner, author of The Topeka School
A week after her forty-first birthday, the acclaimed poet Anne Boyer was diagnosed with highly aggressive triple-negative breast cancer. For a single mother living paycheck to paycheck who had always been the caregiver rather than the one needing care, the catastrophic illness was both a crisis and an initiation into new ideas about mortality and the gendered politics of illness.
From bestselling author of She's Not There, New York Times opinion columnist, and human rights activist Jennifer Finney Boylan, Good Boy: My Life in Seven Dogs, a memoir of the transformative power of loving dogs.
This is a book about dogs: the love we have for them, and the way that love helps us understand the people we have been. It's in the love of dogs, and my love for them, that I can best now take the measure of the child I once was, and the bottomless, unfathomable desires that once haunted me. There are times when it is hard for me to fully remember that love, which was once so fragile, and so fierce. Sometimes it seems to fade before me, like breath on a mirror. But I remember the dogs. In her New York Times opinion column, Jennifer Finney Boylan wrote about her relationship with her beloved dog Indigo, and her wise, funny, heartbreaking piece went viral. In Good Boy, Boylan explores what should be the simplest topic in the world, but never is: finding and giving love. Good Boy is a universal account of a remarkable story: showing how a young boy became a middle-aged woman--accompanied at seven crucial moments of growth and transformation by seven memorable dogs. "Everything I know about love," she writes, "I learned from dogs." Their love enables us to pull off what seem like impossible feats: to find our way home when we are lost, to live our lives with humor and courage, and above all, to best become our true selves. 'My New Year's Eve Toast: to all the devils, lusts, passions, greeds, envies, loves, hates, strange desires, enemies ghostly and real, the army of memories, with which I do battle - may they never give me peace'
PATRICIA HIGHSMITH (New Year's Eve, 1947)
Made famous by the great success of her psychological thrillers, The Talented Mr Ripley and Strangers on a Train, Patricia Highsmith is lauded as one of the most influential and celebrated modern writers. However, there has never been a clear picture of the woman behind the books.
The relationship between Highsmith's lesbianism, her fraught personality - by parts self-destructive and malicious - and her fiction, has been largely avoided by biographers. She was openly homosexual and wrote the seminal lesbian love story, Carol. In modern times, she would be venerated as a radical exponent of the LGBT community. However, her status as an LGBT icon is undermined by the fact that she was excessively cruel and exploitative of her friends and lovers.
In this new biography, Richard Bradford brings his sharp, incisive style to one of the great and most controversial writers of the twentieth century. He considers Highsmith's bestsellers in the context of her troubled personal life; her alcoholism, licentious sex life, racism, anti-Semitism, misogyny and abundant self-loathing.
At first all one noticed was how gifted Fischer was. Possessing a 181 I.Q. and remarkable powers of concentration, Bobby memorized""hundreds of chess books in several languages, and he was only 13 when he became the youngest chess master in U.S. history. But his strange behavior started early. In 1972, at the historic Cold War showdown in Reykjavik, Iceland, where he faced Soviet champion Boris Spassky, Fischer made headlines with hundreds of petty demands that nearly ended the competition.
It was merely a prelude to what was to come.
Arriving back in the United States to a hero's welcome, Bobby was mobbed wherever he went--a figure as exotic and improbable as any American pop culture had yet produced. No player of a mere "board game" had ever ascended to such heights. Commercial sponsorship offers poured in, ultimately topping $10 million--but Bobby demurred. Instead, he began tithing his limited money to an apocalyptic religion and devouring anti-Semitic literature.
After years of poverty and a stint living on Los Angeles' Skid Row, Bobby remerged in 1992 to play Spassky in a multi-million dollar rematch--but the experience only "deepened "a paranoia that had formed years earlier when he came to believe that the Soviets wanted him dead for taking away "their" title. When the dust settled, Bobby was a wanted man--transformed into an international fugitive because of his decision to play in Montenegro despite U.S. sanctions. Fearing for his life, traveling with bodyguards, and wearing a long leather coat to ward off knife attacks, Bobby lived the life of a celebrity fugitive - one drawn increasingly to the bizarre. Mafiosi, Nazis, odd attempts to breed an heir who could perpetuate his chess-genius DNA--all are woven into his late-life tapestry.
And yet, as Brady shows, the most notable irony of Bobby Fischer's strange descent - which had reached full plummet by 2005 when he turned down yet "another "multi-million dollar payday--is that despite his incomprehensible behavior, there were many who remained fiercely loyal to him. Why that was so is at least partly the subject of this book--one that at last answers the question: "Who "was "Bobby Fischer?"
"Sheeran's confession that he killed Hoffa in the manner described in the book is supported by the forensic evidence, is entirely credible, and solves the Hoffa mystery." -- Michael Baden M.D., former Chief Medical Examiner of the City of New York "Charles Brandt has solved the Hoffa mystery." --Professor Arthur Sloane, author of Hoffa "It's all true." -- New York Police Department organized crime homicide detective Joe Coffey
I heard you paint houses are the first words Jimmy Hoffa ever spoke to Frank the Irishman Sheeran. To paint a house is to kill a man. The paint is the blood that splatters on the walls and floors. In the course of nearly five years of recorded interviews, Frank Sheeran confessed to Charles Brandt that he handled more than twenty-five hits for the mob, and for his friend Hoffa. He also provided intriguing information about the Mafia's role in the murder of JFK. Sheeran learned to kill in the US Army, where he saw an astonishing 411 days of active combat duty in Italy during World War II. After returning home he became a hustler and hit man, working for legendary crime boss Russell Bufalino. Eventually Sheeran would rise to a position of such prominence that in a RICO suit the US government would name him as one of only two non-Italians in conspiracy with the Commission of La Cosa Nostra, alongside the likes of Anthony Tony Pro Provenzano and Anthony Fat Tony Salerno. When Bufalino ordered Sheeran to kill Hoffa, the Irishman did the deed, knowing that if he had refused he would have been killed himself. Charles Brandt's page-turner has become a true crime classic.
A NEW YORK TIMES AND NEW YORKER TOP 10 BOOK OF THE YEAR
"Beautiful, literary, and devastating."--New York Times Book Review - "Revelatory."--Entertainment Weekly - "A masterly Silicon Valley gothic."--Vogue -"Mesmerizing, discomfiting reading... A book of no small literary skill."--New Yorker - "Extraordinary... An aching, exquisitely told story."--People - "The sleeper critical hit of the season."--Vulture
A BEST BOOK OF THE YEAR FOR NPR, AMAZON, GQ, VOGUE (UK), BUSTLE, PUBLISHERS WEEKLY, AND INDIGO
Born on a farm and named in a field by her parents―artist Chrisann Brennan and Steve Jobs―Lisa Brennan-Jobs's childhood unfolded in a rapidly changing Silicon Valley. When she was young, Lisa's father was a mythical figure who was rarely present in her life. As she grew older, her father took an interest in her, ushering her into a new world of mansions, vacations, and private schools. His attention was thrilling, but he could also be cold, critical and unpredictable. When her relationship with her mother grew strained in high school, Lisa decided to move in with her father, hoping he'd become the parent she'd always wanted him to be. Part portrait of a complex family, part love letter to California in the seventies and eighties, Small Fry is a poignant coming-of-age story from one of our most exciting new literary voices.
Praise for Small Fry"An intimate, richly drawn portrait... The reader of this exquisite memoir is left with a loving, forgiving remembrance and the lasting impression of a resilient, kindhearted and wise woman who is at peace with her past."--San Francisco Chronicle
"A heartbreaking memoir, beautifully rendered...It's a love story for the father that she had, flaws and all... A wise, thoughtful, and ultimately loving portrayal of her father."--Seattle Times
Roxanne says: Small Fry is like Mommy Dearest only in this case “Daddy” is Steve Jobs.
Winner of the 2019 National Book Award in Nonfiction
A brilliant, haunting and unforgettable memoir from a stunning new talent about the inexorable pull of home and family, set in a shotgun house in New Orleans East.
In 1961, Sarah M. Broom's mother Ivory Mae bought a shotgun house in the then-promising neighborhood of New Orleans East and built her world inside of it. It was the height of the Space Race and the neighborhood was home to a major NASA plant--the postwar optimism seemed assured. Widowed, Ivory Mae remarried Sarah's father Simon Broom; their combined family would eventually number twelve children. But after Simon died, six months after Sarah's birth, the Yellow House would become Ivory Mae's thirteenth and most unruly child.
A book of great ambition, Sarah M. Broom's The Yellow House tells a hundred years of her family and their relationship to home in a neglected area of one of America's most mythologized cities. This is the story of a mother's struggle against a house's entropy, and that of a prodigal daughter who left home only to reckon with the pull that home exerts, even after the Yellow House was wiped off the map after Hurricane Katrina. The Yellow House expands the map of New Orleans to include the stories of its lesser known natives, guided deftly by one of its native daughters, to demonstrate how enduring drives of clan, pride, and familial love resist and defy erasure. Located in the gap between the "Big Easy" of tourist guides and the New Orleans in which Broom was raised, The Yellow House is a brilliant memoir of place, class, race, the seeping rot of inequality, and the internalized shame that often follows. It is a transformative, deeply moving story from an unparalleled new voice of startling clarity, authority, and power.
Since his election to the U.S. Senate in 2006, Ohio's Sherrod Brown has sat on the Senate floor at a mahogany desk with a proud history. In Desk 88, he tells the story of eight of the Senators who were there before him.
Perhaps the most imaginative book to emerge from the Senate since Senator John F. Kennedy of Massachusetts produced Profiles in Courage. --David M. Shribman, The Boston Globe
Despite their flaws and frequent setbacks, each made a decisive contribution to the creation of a more just America. They range from Hugo Black, who helped to lift millions of American workers out of poverty, to Robert F. Kennedy, whose eyes were opened by an undernourished Mississippi child and who then spent the rest of his life afflicting the comfortable. Brown revives forgotten figures such as Idaho's Glen Taylor, a singing cowboy who taught himself economics and stood up to segregationists, and offers new insights into George McGovern, who fought to feed the poor around the world even amid personal and political calamities. He also writes about Herbert Lehman of New York, Al Gore Sr. of Tennessee, Theodore Francis Green of Rhode Island, and William Proxmire of Wisconsin.
Caro recalls the moments at which he came to understand that he wanted to write not just about the men who wielded power but about the people and the politics that were shaped by that power. And he talks about the importance to him of the writing itself, of how he tries to infuse it with a sense of place and mood to bring characters and situations to life on the page. Taken together, these reminiscences--some previously published, some written expressly for this book--bring into focus the passion, the wry self-deprecation, and the integrity with which this brilliant historian has always approached his work.
The #1 New York Times bestseller, and the inspiration for the hit Broadway musical Hamilton!
Pulitzer Prize-winning author Ron Chernow presents a landmark biography of Alexander Hamilton, the Founding Father who galvanized, inspired, scandalized, and shaped the newborn nation.
In Dear Life, palliative care specialist Dr. Rachel Clarke recounts her professional and personal journey to understand not the end of life, but life at its end.
Death was conspicuously absent during Rachel's medical training. Instead, her education focused entirely on learning to save lives, and was left wanting when it came to helping patients and their families face death. She came to specialize in palliative medicine because it is the one specialty in which the quality, not quantity of life truly matters.
Dear Life follows how Rachel came to understand--as a child, as a doctor, as a human being--how best to help patients in the final stages of life, and what that might mean in practice.
A New York Times Bestseller
An Economist Book of the Year
Costa Book Award Winner for Biography
Galaxy National Book Award Winner (New Writer of the Year Award)
Edmund de Waal is a world-famous ceramicist. Having spent thirty years making beautiful pots--which are then sold, collected, and handed on--he has a particular sense of the secret lives of objects. When he inherited a collection of 264 tiny Japanese wood and ivory carvings, called netsuke, he wanted to know who had touched and held them, and how the collection had managed to survive.
And so begins this extraordinarily moving memoir and detective story as de Waal discovers both the story of the netsuke and of his family, the Ephrussis, over five generations. A nineteenth-century banking dynasty in Paris and Vienna, the Ephrussis were as rich and respected as the Rothchilds. Yet by the end of the World War II, when the netsuke were hidden from the Nazis in Vienna, this collection of very small carvings was all that remained of their vast empire.
Nora says: Memoir, history, art...this is brilliant!
"Who is going to tell these little girls that what was done to them matters? That they are seen and valued, that they are not alone and they are not unprotected?"
Rachael Denhollander's voice was heard around the world when she spoke out to end the most shocking US gymnastics scandal in history. The first victim to publicly accuse Larry Nassar, the former USA Gymnastics team doctor who sexually abused hundreds of young athletes, Rachael now reveals her full story for the first time. How did Nassar get away with it for so long? How did Rachael and the other survivors finally stop him and bring him to justice? And how can we protect the vulnerable in our own families, churches, and communities?
What Is a Girl Worth? is the inspiring true story of Rachael's journey from an idealistic young gymnast to a strong and determined woman who found the courage to raise her voice against evil, even when she thought the world might not listen. In this crucial cultural moment of #metoo and #churchtoo, this deeply personal and compelling narrative shines a spotlight on the physical and emotional impact of abuse, why so many survivors are reluctant to speak out, what it means to be believed, the extraordinary power of faith and forgiveness, and how we can learn to do what's right in the moments that matter most.
Published by Tyndale, this inspirational, empowering book is available in both hardcover and e-book editions.
"Chickie takes us thousands of miles on a hilarious quest laced with sorrow, but never dull. You will laugh and cry, but you will not be sorry that you read this rollicking story."--Malachy McCourt
Soon to be a major motion picture written and directed by Peter Farrelly, who won two Academy Awards for Green Book--a wildly entertaining, feel-good memoir of an Irish-American New Yorker and former U.S. marine who embarked on a courageous, hare-brained scheme to deliver beer to his pals serving Vietnam in the late 1960s.
One night in 1967, twenty-six-year-old John Donohue--known as Chick--was out with friends, drinking in a New York City bar. The friends gathered there had lost loved ones in Vietnam. Now, they watched as anti-war protesters turned on the troops themselves.
One neighborhood patriot came up with an inspired--some would call it insane--idea. Someone should sneak into Vietnam, track down their buddies there, give them messages of support from back home, and share a few laughs over a can of beer.
It would be the Greatest Beer Run Ever.
But who'd be crazy enough to do it?
One man was up for the challenge--a U. S. Marine Corps veteran turned merchant mariner who wasn't about to desert his buddies on the front lines when they needed him.
Chick volunteered.
A day later, he was on a cargo ship headed to Vietnam, armed with Irish luck and a backpack full of alcohol. Landing in Qui Nho'n, Chick set off on an adventure that would change his life forever--an odyssey that took him through a series of hilarious escapades and harrowing close calls, including the Tet Offensive. But none of that mattered if he could bring some cheer to his pals and show them how much the folks back home appreciated them.
This is the story of that epic beer run, told in Chick's own words and those of the men he visited in Vietnam.
From "an extraordinary new voice," a "passionate and clear-eyed and unputdownable" meditation on queerness, family, and desire. (Mary Karr)
For as long as they can remember, Cyrus Grace Dunham felt like a visitor in their own body. Their life was a series of imitations--lovable little girl, daughter, sister, young gay woman--until their profound sense of alienation became intolerable. Moving between Grace and Cyrus, Dunham brings us inside the chrysalis of gender transition, asking us to bear witness to an uncertain and exhilarating process that troubles our most basic assumptions about who we are and how we are constituted. Written with disarming emotional intensity in a voice uniquely theirs, A Year Without a Name is a potent, thrillingly unresolved queer coming of age story. Named one of Fall 2019's Most Anticipated Books by: TimeNYLONVogueELLEBuzzfeed BustleO MagazineHarper's Bazaar
Starting with her childhood days in East Berlin ("I start with my life as a schoolgirl ... my own conscious life begins at the same time as the socialist life of Leipziger Strasse"), Not a Novel provides a glimpse of growing up in the GDR and of what it was like to be twenty-two when the wall collapsed; it takes us through Erpenbeck's early adult years, working in a bakery after immersing herself in the worlds of music, theater, and opera, and ultimately discovering her path as a writer.
There are lively essays about her literary influences (Thomas Bernhard, the Brothers Grimm, Kafka, and Thomas Mann), unforgettable reflections on the forces at work in her novels (including history, silence, and time), and scathing commentaries on the dire situation of America and Europe today. "Why do we still hear laments for the Germans who died attempting to flee over the wall, but almost none for the countless refugees who have drowned in the Mediterranean in recent years, turning the sea into a giant grave?"
With deep insight and warm intelligence, Jenny Erpenbeck provides us with a collection of unforgettable essays that take us into the heart and mind of "one of the finest and most exciting writers alive" (Michel Faber).
In Acid for the Children, Flea takes readers on a deeply personal and revealing tour of his formative years, spanning from Australia to the New York City suburbs to, finally, Los Angeles. Through hilarious anecdotes, poetical meditations, and occasional flights of fantasy, Flea deftly chronicles the experiences that forged him as an artist, a musician, and a young man. His dreamy, jazz-inflected prose makes the Los Angeles of the 1970s and 80s come to gritty, glorious life, including the potential for fun, danger, mayhem, or inspiration that lurked around every corner. It is here that young Flea, looking to escape a turbulent home, found family in a community of musicians, artists, and junkies who also lived on the fringe. He spent most of his time partying and committing petty crimes. But it was in music where he found a higher meaning, a place to channel his frustration, loneliness, and love. This left him open to the life-changing moment when he and his best friends, soul brothers, and partners-in-mischief came up with the idea to start their own band, which became the Red Hot Chili Peppers. Acid for the Children is the debut of a stunning new literary voice, whose prose is as witty, entertaining, and wildly unpredictable as the author himself. It's a tenderly evocative coming-of-age story and a raucous love letter to the power of music and creativity from one of the most renowned musicians of our time. New York Times BestsellerA #1 LA Times BestsellerA USA Today BestsellerOne of NPR's "Favorite Books of 2019"
Roxanne says: Flea's wild upbringing on the Los Angeles streets set him up for a life of creativity. A man with more than nine lives.
Nora says: An intellectually rigorous, beautifully written book on El Salvador. A must read!
A moving account of resilience, hope, fear and mortality, and how these things resonate in our lives, by actor and advocate Michael J. Fox.
The entire world knows Michael J. Fox as Marty McFly, the teenage sidekick of Doc Brown in Back to the Future; as Alex P. Keaton in Family Ties; as Mike Flaherty in Spin City; and through numerous other movie roles and guest appearances on shows such as The Good Wife and Curb Your Enthusiasm. Diagnosed at age 29, Michael is equally engaged in Parkinson's advocacy work, raising global awareness of the disease and helping find a cure through The Michael J. Fox Foundation for Parkinson's Research, the world's leading non-profit funder of PD science. His two previous bestselling memoirs, Lucky Man and Always Looking Up, dealt with how he came to terms with the illness, all the while exhibiting his iconic optimism. His new memoir reassesses this outlook, as events in the past decade presented additional challenges. In No Time Like the Future: An Optimist Considers Mortality, Michael shares personal stories and observations about illness and health, aging, the strength of family and friends, and how our perceptions about time affect the way we approach mortality. Thoughtful and moving, but with Fox's trademark sense of humor, his book provides a vehicle for reflection about our lives, our loves, and our losses. Running through the narrative is the drama of the medical madness Fox recently experienced, that included his daily negotiations with the Parkinson's disease he's had since 1991, and a spinal cord issue that necessitated immediate surgery. His challenge to learn how to walk again, only to suffer a devastating fall, nearly caused him to ditch his trademark optimism and "get out of the lemonade business altogether." Does he make it all of the way back? Read the book.WINNER OF THE PULITZER PRIZE
WINNER OF THE NATIONAL BOOK CRITICS CIRCLE AWARD
WINNER OF THE CHICAGO TRIBUNE HEARTLAND PRIZE FOR NON-FICTION
ONE OF THE NEW YORK TIMES BOOK REVIEW'S 10 BEST BOOKS OF THE YEAR
One of The New York Times Book Review's 10 Best Books of the Year
The first comprehensive historical biography of Laura Ingalls Wilder, the beloved author of the Little House on the Prairie books
Millions of readers of Little House on the Prairie believe they know Laura Ingalls--the pioneer girl who survived blizzards and near-starvation on the Great Plains, and the woman who wrote the famous autobiographical books. But the true saga of her life has never been fully told. Now, drawing on unpublished manuscripts, letters, diaries, and land and financial records, Caroline Fraser--the editor of the Library of America edition of the Little House series--masterfully fills in the gaps in Wilder's biography. Revealing the grown-up story behind the most influential childhood epic of pioneer life, she also chronicles Wilder's tumultuous relationship with her journalist daughter, Rose Wilder Lane, setting the record straight regarding charges of ghostwriting that have swirled around the books.
The Little House books, for all the hardships they describe, are paeans to the pioneer spirit, portraying it as triumphant against all odds. But Wilder's real life was harder and grittier than that, a story of relentless struggle, rootlessness, and poverty. It was only in her sixties, after losing nearly everything in the Great Depression, that she turned to children's books, recasting her hardscrabble childhood as a celebratory vision of homesteading--and achieving fame and fortune in the process, in one of the most astonishing rags-to-riches episodes in American letters.
Spanning nearly a century of epochal change, from the Indian Wars to the Dust Bowl, Wilder's dramatic life provides a unique perspective on American history and our national mythology of self-reliance. With fresh insights and new discoveries, Prairie Fires reveals the complex woman whose classic stories grip us to this day.
Six months before he died in Budapest, Tim Fuller turned to his daughter: "Let me tell you the secret to life right now, in case I suddenly give up the ghost. Then he lit his pipe and stroked his dog Harry's head. Harry put his paw on Dad's lap and they sat there, the two of them, one man and his dog, keepers to the secret of life. "Well?" she said. "Nothing comes to mind, quite honestly, Bobo," he said, with some surprise. "Now that I think about it, maybe there isn't a secret to life. It's just what it is, right under your nose. What do you think, Harry?" Harry gave Dad a look of utter agreement. He was a very superior dog. "Well, there you have it," Dad said. After her father's sudden death, Alexandra Fuller realizes that if she is going to weather his loss, she will need to become the parts of him she misses most. So begins Travel Light, Move Fast, the unforgettable story of Tim Fuller, a self-exiled black sheep who moved to Africa to fight in the Rhodesian Bush War before settling as a banana farmer in Zambia. A man who preferred chaos to predictability, to revel in promise rather than wallow in regret, and who was more afraid of becoming bored than of getting lost, he taught his daughters to live as if everything needed to happen all together, all at once--or not at all. Now, in the wake of his death, Fuller internalizes his lessons with clear eyes and celebrates a man who swallowed life whole. A master of time and memory, Fuller moves seamlessly between the days and months following her father's death, as she and her mother return to his farm with his ashes and contend with his overwhelming absence, and her childhood spent running after him in southern and central Africa. Writing with reverent irreverence of the rollicking grand misadventures of her mother and father, bursting with pandemonium and tragedy, Fuller takes their insatiable appetite for life to heart. Here, in Fuller's Africa, is a story of joy, resilience, and vitality, from one of our finest writers.
National Bestseller--New York Times, USA Today, Wall Street Journal, Publisher's Weekly
Also, check out Capital Gaines, available now, and The Magnolia Table, coming spring 2018.
Are you ready to see your fixer upper?
These famous words are now synonymous with the dynamic husband-and-wife team Chip and Joanna Gaines, stars of HGTV's Fixer Upper. As this question fills the airwaves with anticipation, their legions of fans continue to multiply and ask a different series of questions, like--Who are these people?What's the secret to their success? And is Chip actually that funny in real life? By renovating homes in Waco, Texas, and changing lives in such a winsome and engaging way, Chip and Joanna have become more than just the stars of Fixer Upper, they have become America's new best friends.
The Magnolia Story is the first book from Chip and Joanna, offering their fans a detailed look at their life together. From the very first renovation project they ever tackled together, to the project that nearly cost them everything; from the childhood memories that shaped them, to the twists and turns that led them to the life they share on the farm today.
They both attended Baylor University in Waco. However, their paths did not cross until Chip checked his car into the local Firestone tire shop where Joanna worked behind the counter. Even back then Chip was a serial entrepreneur who, among other things, ran a lawn care company, sold fireworks, and flipped houses. Soon they were married and living in their first fixer upper. Four children and countless renovations later, Joanna garners the attention of a television producer who notices her work on a blog one day.
In The Magnolia Story fans will finally get to join the Gaines behind the scenes and discover:
And yet there is still one lingering question for fans of the show: Is Chip really that funny? "Oh yeah," says Joanna. "He was, and still is, my first fixer upper."
--Bookreporter
"It's hard to imagine any single word that would accurately describe this book . . . an entertaining volume that's more fun to read than a conventional memoir might have been."
--The Wall Street Journal
"A charming book of prose and poetry printed in a digitalized version of his handwriting . . . witty, candid, and wildly imaginative . . . A highly intelligent man trying to make sense of his extraordinary life."
--Associated Press
From the golden-haired, curly-headed half of Simon & Garfunkel, a memoir (of sorts)--moving, lyrical impressions, interspersed throughout a narrative, punctuated by poetry, musings, lists of resonant books loved and admired, revealing a life and the making of a musician, that show us, as well, the evolution of a man, a portrait of a life-long friendship and of a collaboration that became the most successful singing duo in the roiling age that embraced, and was defined by, their pathfinding folk-rock music.
In What Is It All but Luminous, Art Garfunkel writes about growing up in the 1940s and '50s (son of a traveling salesman, listening as his father played Enrico Caruso records), a middle-class Jewish boy, living in a redbrick semi-attached house on Jewel Avenue in Kew Gardens, Queens. He writes of meeting Paul Simon, the kid who made Art laugh (they met at their graduation play, Alice in Wonderland; Paul was the White Rabbit; Art, the Cheshire Cat). Of their being twelve at the birth of rock'n'roll ("it was rhythm and blues. It was black. I was captured and so was Paul"), of a demo of their song, Hey Schoolgirl for seven dollars and the actual record (with Paul's father on bass) going to #40 on the charts. He writes about their becoming Simon & Garfunkel, ruling the pop charts from the age of sixteen, about not being a natural performer but more a thinker, an underground man. He writes of the hit songs; touring; about being an actor working with directors Mike Nichols ("the greatest of them all"), about choosing music over a PhD in mathematics. And he writes about his long-unfolding split with Paul, and how and why it evolved, and after; learning to perform on his own . . . and about being a husband, a father and much more.
In the fall of 1959, Harvard recruited an unprecedented eighteen "Negro" boys as an early form of affirmative action. Four years later they would graduate as African Americans. Some fifty years later, one of these trailblazing Harvard grads, Kent Garrett, would begin to reconnect with his classmates and explore their vastly different backgrounds, lives, and what their time at Harvard meant.
Garrett and his partner Jeanne Ellsworth recount how these eighteen youths broke new ground, with ramifications that extended far past the iconic Yard. By the time they were seniors, they would have demonstrated against national injustice and grappled with the racism of academia, had dinner with Malcolm X and fought alongside their African national classmates for the right to form a Black students' organization.
Part memoir, part group portrait, and part narrative history of the intersection between the civil rights movement and higher education, this is the remarkable story of brilliant, singular boys whose identities were changed at and by Harvard, and who, in turn, changed Harvard.
The memes. "Because Florida" jokes. "Florida Man" stories. Tyler Gillespie was once embarrassed to call Florida home, concocting fantasies he'd been born somewhere else. In The Thing about Florida, Gillespie faces his Florida denial and takes readers on an exuberant search for the state behind the caricatures, cutting through the media storm with curiosity and humor.
Gillespie's journey leads him into unexpected places such as halfway houses, gator pits, venom rooms, and clothing-optional campgrounds, where he meets eclectic and unconventional Floridians who have been misrepresented in news stories. He interviews storm chasers, Civil War reenactors, cattle ranchers, drag queens, python hunters, and pet smugglers. His conversations delve into serious issues such as addiction, Florida's racist past, and care options for the state's LGBTQ senior citizens.
With perspective and empathy derived from his background as a gay man raised Southern Baptist, Gillespie shows how important it is to understand the diversity and complexity of Florida today. "It's dangerous to meet our fears with fear," he says as he confronts his own as well as the state's monsters--invasive species, hurricanes, environmental destruction. He reminds us that Florida's people and problems are vital parts of the nation's future.
A fresh and engaging voice, Gillespie captivates with a snappy pace, sly wit, and crisp observations. As he weaves his childhood memories and personal experiences alongside the stories of the individuals he encounters, Gillespie reconciles with his home state. He finds Florida's humanity, a beautiful mix of hopes, dreams, and second chances.
In 1939 a girl was born in the wild Aspromonte mountains of Calabria, a land haunted by history and suffused with tradition but weighed down by poverty and the 'Ndrangheta-Calabria's answer to Sicily's Mafia. As the tremors of World War II shake the heart of Calabria, so the little girl's childhood unfolds. Her life is simple, revolving around school, friendship, family. At its heart is the kitchen where the dramas and joys of family life are played out and where her mother, Giulia, creates the food around which everything revolves. In this rich and heartfelt memoir, Grazia Ietto-Gillies remembers her youth in Calabria, from childhood sickness and her eccentric extended family to the excitement of religious festivals, near-constant struggle with poverty and an incident with the feared 'Ndrangheta. Now, sixty years later, she realises that Calabria has defined everything she has ever done and that she has never really left the mountains of her childhood.
Includes 100+ classic recipes from the Calabrian region of Italy