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Biography
From New York Times bestselling author Mari Andrew, a collection of essays and illustrations, divided into phases of the sky--twilight, golden hour, night, and dawn--that serves as a loyal companion for life's curveballs A whole, beautiful life is only made possible by the wide spectrum of feelings that exist between joy and sorrow. In this insightful and warm book, writer and illustrator Mari Andrew explores all the emotions that make up a life, in the process offering insights about trauma and healing, the meaning of home and the challenges of loneliness, finding love in the most unexpected of places--from birds nesting on a sculpture to a ride on the subway--and a resounding case for why sometimes you have to put yourself in the path of magic. My Inner Sky empowers us to transform everything that's happened to us into something meaningful, reassurance that even in our darkest times, there's light and beauty to be found.
Maya Angelou's debut memoir is a modern American classic beloved worldwide. Her life story is told in the documentary film And Still I Rise, as seen on PBS's American Masters. Here is a book as joyous and painful, as mysterious and memorable, as childhood itself. I Know Why the Caged Bird Sings captures the longing of lonely children, the brute insult of bigotry, and the wonder of words that can make the world right. Maya Angelou's debut memoir is a modern American classic beloved worldwide. Sent by their mother to live with their devout, self-sufficient grandmother in a small Southern town, Maya and her brother, Bailey, endure the ache of abandonment and the prejudice of the local "powhitetrash." At eight years old and back at her mother's side in St. Louis, Maya is attacked by a man many times her age--and has to live with the consequences for a lifetime. Years later, in San Francisco, Maya learns that love for herself, the kindness of others, her own strong spirit, and the ideas of great authors ("I met and fell in love with William Shakespeare") will allow her to be free instead of imprisoned. Poetic and powerful, I Know Why the Caged Bird Sings will touch hearts and change minds for as long as people read. "I Know Why the Caged Bird Sings liberates the reader into life simply because Maya Angelou confronts her own life with such a moving wonder, such a luminous dignity."--James Baldwin
NATIONAL BESTSELLER * Named a Best Book of the Year by Time, Vogue, Vanity Fair, Air Mail, Harper's Bazaar, The Washington Post, and more! Joan Didion is revealed at last in this "vivid, engrossing" (Vogue), and outrageously provocative dual biography "that reads like a propulsive novel" (Oprah Daily) revealing the mutual attractions--and antagonisms--of Didion and her fellow literary titan, Eve Babitz. Could you write what you write if you weren't so tiny, Joan? --Eve Babitz, in a letter to Joan Didion, 1972 Eve Babitz died on December 17, 2021. Found in the wrack, ruin, and filth of her apartment, a stack of boxes packed by her mother decades before. The boxes were pristine, the seals of duct tape unbroken. Inside, a lost world. This world turned for a certain number of years in the late sixties and early seventies and centered on a two-story rental in a down-at-heel section of Hollywood. 7406 Franklin Avenue, a combination salon-hotbed-living end where writers and artists mixed with movie stars, rock 'n' rollers, and drug trash. 7406 Franklin Avenue was the making of one great American writer: Joan Didion, a mystery behind her dark glasses and cool expression; an enigma inside her storied marriage to John Gregory Dunne, their union as tortured as it was enduring. 7406 Franklin Avenue was the breaking and then the remaking--and thus the true making--of another great American writer: Eve Babitz, goddaughter of Igor Stravinsky, nude of Marcel Duchamp, consort of Jim Morrison (among many, many others), a woman who burned so hot she finally almost burned herself alive. Didion and Babitz formed a complicated alliance, a friendship that went bad, amity turning to enmity. Didion, in spite of her confessional style, is so little known or understood. She's remained opaque, elusive. Until now. With deftness and skill, journalist Lili Anolik uses Babitz, Babitz's brilliance of observation, Babitz's incisive intelligence, and, most of all, Babitz's diary-like letters--letters found in those sealed boxes, letters so intimate you don't read them so much as breathe them--as the key to unlocking Didion. And "what the book makes clear is that Didion and Babitz were more alike than either would have liked to admit" (Time).
One of the New York Times' 20 Books to Read in 2020 "A tonic . . . Splendid . . . A respite . . . A summer cocktail of a book."--Washington Post "Unforgettable . . . Behind her brilliantly witty and uplifting message is a remarkable vulnerability and candor that reminds us that we are not alone in our struggles--and that we can, against all odds, get through them."--Lori Gottlieb, New York Times best-selling author of Maybe You Should Talk to Someone Part memoir and part joyful romp through the fields of imagination, the story behind a beloved pseudonymous Twitter account reveals how a writer deep in grief rebuilt a life worth living. Becoming Duchess Goldblatt is two stories: that of the reclusive real-life writer who created a fictional character out of loneliness and thin air, and that of the magical Duchess Goldblatt herself, a bright light in the darkness of social media. Fans around the world are drawn to Her Grace's voice, her wit, her life-affirming love for all humanity, and the fun and friendship of the community that's sprung up around her. @DuchessGoldblat (81 year-old literary icon, author of An Axe to Grind) brought people together in her name: in bookstores, museums, concerts, and coffee shops, and along the way, brought real friends home--foremost among them, Lyle Lovett. "The only way to be reliably sure that the hero gets the girl at the end of the story is to be both the hero and the girl yourself." -- Duchess Goldblatt
Nora says: A funny, moving, delightful account of the creation of a fictional online character. Duchess Goldblatt is a favorite of the literary and publishing world, plus Lyle Lovett! A fun romp, surprisingly philosophical and humane.
Named a Best Book of the Year by: Time * New Yorker * Sunday Times (UK)
From New York Times bestselling author Jami Attenberg comes a dazzling memoir about unlocking and embracing her creativity--and how it saved her life.
In this brilliant, fierce, and funny memoir of transformation, Jami Attenberg--described as a "master of modern fiction" (Entertainment Weekly) and the "poet laureate of difficult families" (Kirkus Reviews)--reveals the defining moments that pushed her to create a life, and voice, she could claim for herself. What does it take to devote oneself to art? What does it mean to own one's ideas? What does the world look like for a woman moving solo through it?
As the daughter of a traveling salesman in the Midwest, Attenberg was drawn to a life on the road. Frustrated by quotidian jobs and hungry for inspiration and fresh experiences, her wanderlust led her across the country and eventually on travels around the globe. Through it all she grapples with questions of mortality, otherworldliness, and what we leave behind.
It is during these adventures that she begins to reflect on the experiences of her youth--the trauma, the challenges, the risks she has taken. Driving across America on self-funded book tours, sometimes crashing on couches when she was broke, she keeps writing: in researching articles for magazines, jotting down ideas for novels, and refining her craft, she grows as an artist and increasingly learns to trust her gut and, ultimately, herself.
Exploring themes of friendship, independence, class, and drive, I Came All This Way to Meet You is an inspiring story of finding one's way home--emotionally, artistically, and physically--and an examination of art and individuality that will resonate with anyone determined to listen to their own creative calling.
Roxanne says: Attenberg, approaching fifty, takes us through a good portion of her life via travels to Italy, Hong Kong, and New York. Akin to Rachel Cusk, Attenberg uses her travel fore guideposts to reflect on her wounds and victories. What results is a poignant, no nonsense assessment of freedom and her own evolutionary value system.
From the acclaimed author of Foreskin's Lament, a memoir of the author's attempt to escape the biblical story he'd been raised on and his struggle to construct a new story for himself and his family Shalom Auslander was raised like a veal in a dysfunctional family in the Orthodox community of Monsey, New York: the son of an alcoholic father; a guilt-wielding mother; and a violent, overbearing God. Now, as he reaches middle age, Auslander begins to suspect that what plagues him is something worse, something he can't so easily escape: a story. The story. One indelibly implanted in him at an early age, a story that told him he is fallen, broken, shameful, disgusting, a story we have all been told for thousands of years, and continue to be told by the religious and secular alike, a story called "Feh." Yiddish for "Yuck." Feh follows Auslander's midlife journey to rewrite that story, a journey that involves Phillip Seymour Hoffman, a Pulitzer-winning poet, Job, Arthur Schopenhauer, GHB, Wolf Blitzer, Yuval Noah Harari and a pastor named Steve in a now-defunct church in Los Angeles. Can he move from Feh to merely meh? Can he even dream of moving beyond that? Auslander's recounting of his attempt to exorcize the story he was raised with--before he implants it onto his children and/or possibly poisons the relationship of the one woman who loves him--isn't sacred. It is more-than-occasionally profane. And like all his work, it is also relentlessly funny, subversively heartfelt and fearlessly provocative.
"A gorgeous, captivating gem of a memoir...Josephine Baker's as enthralling on the page as she was on the stage." --Abbott Kahler, New York Times bestselling author of Eden Undone and Sin in the Second City Published in the US for the first time, Fearless and Free is the memoir of the fabulous, rule-breaking, one-of-a-kind Josephine Baker, the iconic dancer, singer, spy, and Civil Rights activist. After stealing the spotlight as a teenaged Broadway performer during the height of the Harlem Renaissance, Josephine then took Paris by storm, dazzling audiences across the Roaring Twenties. In her famous banana skirt, she enraptured royalty and countless fans--Ernest Hemingway and Pablo Picasso among them. She strolled the streets of Paris with her pet cheetah wearing a diamond collar. With her signature flapper bob and enthralling dance moves, she was one of the most recognizable women in the world. When World War II broke out, Josephine became a decorated spy for the French Résistance. Her celebrity worked as her cover, as she hid spies in her entourage and secret messages in her costumes as she traveled. She later joined the Civil Rights movement in the US, boycotting segregated concert venues, and speaking at the March on Washington alongside Martin Luther King Jr. First published in France in 1949, her memoir will now finally be published in English. At last we can hear Josephine in her own voice: charming, passionate, and brave. Her words are thrilling and intimate, like she's talking with her friends over after-show drinks in her dressing room. Through her own telling, we come to know a woman who danced to the top of the world and left her unforgettable mark on it.
A major biography--the first in three decades--of one of the most important artistic forces of the twentieth century, the legendary American dancer and choreographer who upended dance, propelling the art form into the modern age, and whose profound and pioneering influence is still being felt today. "Brings together all the elements of Graham's colorful life...with wit, verve, critical discernment, and a powerful lyricism."--Mary Dearborn, acclaimed author of Ernest Hemingway Time magazine called her "the Dancer of the Century." Her technique, used by dance companies throughout the world, became the first long-lasting alternative to the idiom of classical ballet. Her pioneering movements--powerful, dynamic, jagged, edgy, forthright--combined with her distinctive system of training, were the epitome of American modernism, performance as art. Her work continued to astonish and inspire for more than sixty years as she choreographed more than 180 works. At the heart of Graham's work: movement that could express inner feeling. Neil Baldwin, author of admired biographies of Man Ray ("Truly definitive . . . absolutely fascinating" --Patricia Bosworth) and Thomas Edison ("Absorbing, gripping, a major contribution to our understanding of a remarkable man and a remarkable era" --Robert Caro), gives us the artist and performer, the dance monument who led a cult of dance worshippers as well as the woman herself in all of her complexity. Here is Graham, from her nineteenth-century (born in 1894) Allegheny, Pennsylvania, childhood, to becoming the star of the Denishawn exotic ballets, and in 1926, at age thirty-two, founding her own company (now the longest-running dance company in America). Baldwin writes of how the company flourished during the artistic explosion of New York City's midcentury cultural scene; of Erick Hawkins, in 1936, fresh from Balanchine's School of American Ballet, a handsome Midwesterner fourteen years her junior, becoming Graham's muse, lover, and eventual spouse. Graham, inspiring the next generation of dancers, choreographers, and teachers, among them: Merce Cunningham and Paul Taylor. Baldwin tells the story of this large, fiercely lived life, a life beset by conflict, competition, and loneliness--filled with fire and inspiration, drive, passion, dedication, and sacrifice in work and in dance creation.
Despite being one of the foremost American intellectuals of the mid-twentieth century, Harold Rosenberg (1906-1978) was utterly incapable of fitting in--and he liked it that way. Signature cane in one hand and a cigarette in the other, he cut a distinctive figure on the New York City culture scene, with his radiant dark eyes and black bushy brows. A gangly giant at six foot four, he would tower over others as he forcefully expounded on his latest obsession in an oddly high-pitched, nasal voice. And people would listen, captivated by his ideas. With Harold Rosenberg: A Critic's Life, Debra Bricker Balken offers the first-ever complete biography of this great and eccentric man. Although he is now known mainly for his role as an art critic at the New Yorker from 1962 to 1978, Balken weaves together a complete tapestry of Rosenberg's life and literary production, cast against the dynamic intellectual and social ferment of his time. She explores his role in some of the most contentious cultural debates of the Cold War period, including those over the commodification of art and the erosion of individuality in favor of celebrity, demonstrated in his famous essay "The Herd of Independent Minds." An outspoken socialist and advocate for the political agency of art, he formed deep alliances with figures such as Hannah Arendt, Saul Bellow, Paul Goodman, Mary McCarthy, Jean-Paul Sartre, Willem de Kooning, and Jackson Pollock, all of whom Balken portrays with vivid accounts from Rosenberg's life. Thoroughly researched and captivatingly written, this book tells in full Rosenberg's brilliant, fiercely independent life and the five decades in which he played a leading role in US cultural, intellectual, and political history.
From "weird, scary, ingenious" (The New York Times) stand-up comedian Maria Bamford, an instant New York Times bestselling, brutally honest, and "laugh-out-loud funny" (Jennette McCurdy, #1 New York Times bestselling author) memoir about show business, mental health, and the comfort of rigid belief systems--from Dale Carnegie's How to Win Friends and Influence People, to Richard Simmons, to 12-step programs. Maria Bamford is a comedian's comedian (an outsider among outsiders) and has forever fought to find a place to belong. From struggling with an eating disorder as a child of the 1980s, to navigating a career in the arts (and medical debt and psychiatric institutionalization), she has tried just about every method possible to not only be a part of the world, but to want to be a part of it. In Bamford's "trademark blend of disarming intimacy and dark whimsy" (Publishers Weekly), Sure, I'll Join Your Cultbrings us on a quest to participate in something. With sincerity and transparency, she recounts every anonymous fellowship she has joined (including but not limited to: Debtors Anonymous, Sex and Love Addicts Anonymous, and Overeaters Anonymous), every hypomanic episode (from worrying about selling out under capitalism to enforcing union rules on her Netflix TV show set to protect her health), and every easy 1-to-3-step recipe for fudge in between. Packed with "Bamford's brilliance, relentless humor, and insatiable instinct for survival (Library Journal), this memoir explores what it means to keep going, and to be a member of society (or any group she's invited to) despite not being very good at it. In turn, she hopes to transform isolating experiences into comedy that will make you feel less alone (without turning into a cult following).