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Essays
Shedding all polemic, Bloom addresses the solitary reader, who, he urges, should read for the purest of all reasons: to discover and augment the self. His ultimate faith in the restorative power of literature resonates on every page of this infinitely rewarding and important book.
Independent Publisher Book Awards, Silver Medal
for Anthology
National Indie
Excellence Awards, Finalist in the Anthology Category
International Latino Book Awards, Gold Medal for Best Fiction (Multi-Author)
International Latino Book Awards, Honorable Mention, Best Nonfiction (Multi-Author)
A powerful collection of contemporary voices
Showcasing a variety of voices shaped in and by a place that has been for them a crossroads and a land of contradictions, Home in Florida presents a selection of the best literature of displacement and uprootedness by some of the most talented contemporary Latinx writers who have called Florida home.
Featuring fiction, nonfiction, and poetry by Richard Blanco, Jaquira Díaz, Patricia Engel, Jennine Capó Crucet, Reinaldo Arenas, Judith Ortiz Cofer, and many others, this collection of renowned and award-winning contributors includes several who are celebrated in their countries of origin but have not yet been discovered by readers in the United States. The writers in this volume--first-, second-, and third-generation immigrants to Florida from Cuba, Mexico, Honduras, Perú, Argentina, Chile, and other countries--reflect the diversity of Latinx experiences across the state.
Editor Anjanette Delgado characterizes the work in this collection as literature of uprootedness, literatura del desarraigo, a Spanish literary tradition and a term used by Reinaldo Arenas. With the heart-changing, here-and-there perspective of attempting life in environments not their own, these writers portray many different responses to displacement, each occupying their own unique place on what Delgado calls a spectrum of belonging.
Together, these writers explore what exactly makes Florida home for those struggling between memory and presence. In these works, as it is for many people seeking to make a new life in the United States, Florida is the place where the uprooted stop to catch their breath long enough to wonder, "What if I stayed? What if here could one day be my home?"
Contributors: Daniel
Reschinga Ana Menéndez Frances Negrón Muntaner Hernán Vera Álvarez Liz
Balmaseda Ariel Francisco Andreina Fernandez Amina Lolita Gautier PhD Jennine
Capó-Crucet Dainerys Machado Vento Carlos Harrison Legna Rodríguez
Iglesias Judith Ortiz Cofer Chantel Acevedo Guillermo Rosales Achy
Obejas Alex Segura Patricia Engel Anjanette Delgado Mia Leonin Carlos
Pintado Nilsa Ada Rivera Natalie Scenters-Zapico Pedro Medina León Caridad
Moro-Gronlier Aracelis González Asendorf Michael García-Juelle Jaquira
Díaz José Ignacio Chascas-Valenzuela Raúl Dopico Javier Lentino Yaddyra
Peralta
With a forward by Hilton Als, these twelve pieces from 1968 to 2000, never before gathered together, offer an illuminating glimpse into the mind and process of a legendary figure. They showcase Joan Didion's incisive reporting, her empathetic gaze, and her role as an articulate witness to the most stubborn and intractable truths of our time (The New York Times Book Review). Here, Didion touches on topics ranging from newspapers (the problem is not so much whether one trusts the news as to whether one finds it), to the fantasy of San Simeon, to not getting into Stanford. In Why I Write, Didion ponders the act of writing: I write entirely to find out what I'm thinking, what I'm looking at, what I see and what it means. From her admiration for Hemingway's sentences to her acknowledgment that Martha Stewart's story is one that has historically encouraged women in this country, even as it has threatened men, these essays are acutely and brilliantly observed. Each piece is classic Didion: incisive, bemused, and stunningly prescient.
Both Doug and Elsie loved this book. Doug says: Classic Didion, as if the essays were held in casks and distilled to single-malt maturity. The flavors are ginger-rich like a potion in the hands of a shaman. Do not miss these previously uncollected essays from 1968-2000.
Four new and revelatory essays by the author of My Brilliant Friend and The Lost Daughter.
In 2020, Claire Luchette in O, The Oprah Magazine described the beloved Italian novelist Elena Ferrante as "an oracle among authors." Here, in these four crisp essays, Ferrante offers a rare look at the origins of her literary powers. She writes about her influences, her struggles, and her formation as both a reader and a writer; she describes the perils of "bad language" and suggests ways in which it has long excluded women's truth; she proposes a choral fusion of feminine talent as she brilliantly discourses on the work of Emily Dickinson, Gertrude Stein, Ingeborg Bachmann, and many others.
Here is a subtle yet candid book by "one of the great novelists of our time" about adventures in literature, both in and out of the margins.
"Everyone should read everything with Elena Ferrante's name on it."--The Boston Globe
The New York Times bestselling author of The Book of Delights and Inciting Joy is back with exactly the book we need in these unsettling times.
"Keenly observed and delivered with deftness, these essays are a testament to the artfulness of attention and everyday joy." --Kirkus Reviews (starred review)
In Ross Gay's new collection of small, daily wonders, again written over the course of a year, one of America's most original voices continues his ongoing investigation of delight.For Gay, what delights us is what connects us, what gives us meaning, from the joy of hearing a nostalgic song blasting from a passing car to the pleasure of refusing the "nefarious" scannable QR code menus, from the tiny dog he fell hard for to his mother baking a dozen kinds of cookies for her grandchildren. As always, Gay revels in the natural world--sweet potatoes being harvested, a hummingbird carousing in the beebalm, a sunflower growing out of a wall around the cemetery, the shared bounty from a neighbor's fig tree--and the trillion mysterious ways this glorious earth delights us.
The Book of (More) Delights is a volume to savor and share.
Longlisted for the PEN/Diamonstein-Spielvogel Award for the Art of the Essay - Finalist for the Southern Book Prize
A New York Times Critics' Best Books of the Year - An NPR Best Book of the Year - A NYLON Best Nonfiction Book of the Year - A Buzzfeed Best Nonfiction Book of the Year - An Entrophy Magazine Best Non-Fiction Book of the Year - A Brooklyn Rail Best Non-Fiction Book of the Year - A Baltimore Beat Best Book of the Year
A Paris Review Staff Pick - A Chicago Tribune Exciting Book for 2017 - A Rolling Stone Culture Index Reccomendation - A Buzzfeed Most Exciting Book for 2017 - A The Millions Great 2017 Book Preview Pick - A Huffington Post 2017 Preview Pick - A NYLON Best 10 Books of the Month - A Lit Hub 15 Books to Read This Month A Poets & Writers New and Noteworth Selection - A PW Top 10 Spring Pick in Essays & Literary Criticism- An Emma Straub Reccomendation on PBS
"One of the themes of 'Sunshine State, ' Sarah Gerard's striking book of essays, is how Florida can unmoor you and make you reach for shoddy, off-the-shelf solutions to your psychic unease.... The first essay is a knockout, a lurid red heart wrapped in barbed wire.... This essay draws blood." -- Dwight Garner, New York Times
"Unflinchingly candid memoir bolstered by thoughtfully researched history.... A nuanced and subtly intimate mosaic... her writing, lucid yet atmospheric, takes on a timeless ebb and flow." -- Jason Heller, NPR.org
"Stunning." -- Rolling Stone
"These large-hearted, meticulous essays offer an uncanny x-ray of our national psyche... showing us both the grand beauty of our American dreams and the heartbreaking devastation they wreak." -- Garth Greenwell, author of What Belongs to You
Sarah Gerard follows her breakout novel, Binary Star, with the dynamic essay collection Sunshine State, which explores Florida as a microcosm of the most pressing economic and environmental perils haunting our society.
In the collection's title essay, Gerard volunteers at the Suncoast Seabird Sanctuary, a world renowned bird refuge. There she meets its founder, who once modeled with a pelican on his arm for a Dewar's Scotch campaign but has since declined into a pit of fraud and madness. He becomes our embezzling protagonist whose tales about the birds he "rescues" never quite add up. Gerard's personal stories are no less eerie or poignant: An essay that begins as a look at Gerard's first relationship becomes a heart-wrenching exploration of acquaintance rape and consent. An account of intimate female friendship pivots midway through, morphing into a meditation on jealousy and class.
With the personal insight of The Empathy Exams, the societal exposal of Nickel and Dimed, and the stylistic innovation and intensity of her own break-out debut novel Binary Star, Sarah Gerard's Sunshine State uses the intimately personal to unearth the deep reservoirs of humanity buried in the corners of our world often hardest to face.
Roxanne says: Former New College Writer in Residence's comprehensive Florida book which profiles fascinating real life characters as well as weaving in her own chaotic upbringing.
