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Essays
A MOST ANTICIPATED BOOK FROM: Oprah Daily, Business Insider, Marie Claire, The Seattle Times, Lit Hub, Bustle, and New York Magazine's Vulture
Introduction by New York Times bestselling author Henry Louis Gates Jr.
Spanning more than 35 years of work, the first comprehensive collection of essays, criticism, and articles by the legendary author of the Harlem Renaissance, Zora Neale Hurston, showcasing the evolution of her distinctive style as an archivist and author.
"One of the greatest writers of our time."--Toni Morrison
You Don't Know Us Negroes is the quintessential gathering of provocative essays from one of the world's most celebrated writers, Zora Neale Hurston. Spanning more than three decades and penned during the backdrop of the birth of the Harlem Renaissance, Montgomery bus boycott, desegregation of the military, and school integration, Hurston's writing articulates the beauty and authenticity of Black life as only she could. Collectively, these essays showcase the roles enslavement and Jim Crow have played in intensifying Black people's inner lives and culture rather than destroying it. She argues that in the process of surviving, Black people re-interpreted every aspect of American culture--"modif[ying] the language, mode of food preparation, practice of medicine, and most certainly religion." White supremacy prevents the world from seeing or completely recognizing Black people in their full humanity and Hurston made it her job to lift the veil and reveal the heart and soul of the race. These pages reflect Hurston as the controversial figure she was--someone who stated that feminism is a mirage and that the integration of schools did not necessarily improve the education of Black students. Also covered is the sensational trial of Ruby McCollum, a wealthy Black woman convicted in 1952 for killing her lover, a white doctor.
Demonstrating the breadth of this revered and influential writer's work, You Don't Know Us Negroes and Other Essays is an invaluable chronicle of a writer's development and a window into her world and mind.
--Dani Shapiro, author of Inheritance Sixty-five extraordinary writers grapple with this mystery: How can an ephemeral encounter with a stranger leave such an eternal mark? When Colleen Kinder put out a call for authors to write a letter to a stranger about an unforgettable encounter, she opened the floodgates. The responses--intimate and addictive, all written in the second person--began pouring in. These short, insightful essays by a remarkable cast of writers, including Elizabeth Kolbert, Pico Iyer, Lauren Groff, Gregory Pardlo, Faith Adiele, Maggie Shipstead, Lia Purpura, Kiki Petrosino, and Jamil Jan Kochai, are organized around such themes as Gratitude, Wonder, and Farewell and guide us both across the globe and through the mysteries of human connection. Addressed to a first responder after a storm, a gambler encountered on jury duty, a waiter in Istanbul, a taxi driver in Paris, a roomful of travelers watching reality TV in La Paz, and dozens of others, the pieces are replete with observations about how to live and what we seek, and how a stranger's loaded glance, shared smile, or question posed can alter the course of our lives. Moving and unforgettable, Letter to a Stranger is an irresistible read for the literary traveler and the perfect gift for anyone who is haunted by a person they met once and will remember forever.
In this remarkable, inspiring collection of essays, acclaimed writer and critic Olivia Laing makes a brilliant case for why art matters, especially in the turbulent political weather of the twenty-first century.
Funny Weather brings together a career's worth of Laing's writing about art and culture, examining their role in our political and emotional lives. She profiles Jean-Michel Basquiat and Georgia O'Keeffe, reads Maggie Nelson and Sally Rooney, writes love letters to David Bowie and Freddie Mercury, and explores loneliness and technology, women and alcohol, sex and the body. With characteristic originality and compassion, she celebrates art as a force of resistance and repair, an antidote to a frightening political time.
We're often told that art can't change anything. Laing argues that it can. Art changes how we see the world. It makes plain inequalities and it offers fertile new ways of living.
"Jam-packed with insights you'll want to both text to your friends and tattoo on your skin....A sweeping view of a human mind trying to make order of the world around us."--Celeste Ng, author of Little Fires Everywhere
There will come a time when people decide you've had enough of your grief, and they'll try to take it away from you.
Bad art is from no one to no one.
Am I happy? Damned if I know, but give me a few minutes and I'll tell you whether you are.
Thank heaven I don't have my friends' problems. But sometimes I notice an expression on one of their faces that I recognize as secret gratitude.
I read sad stories to inoculate myself against grief. I watch action movies to identify with the quick-witted heroes. Both the same fantasy: I'll escape the worst of it.
--from 300 Arguments
A "Proustian minimalist on the order of Lydia Davis" (Kirkus Reviews), Sarah Manguso is one of the finest literary artists at work today. To read her work is to witness acrobatic acts of compression in the service of extraordinary psychological and spiritual insight.
300 Arguments, a foray into the frontier of contemporary nonfiction writing, is at first glance a group of unrelated aphorisms. But, as in the work of David Markson, the pieces reveal themselves as a masterful arrangement that steadily gathers power. Manguso's arguments about desire, ambition, relationships, and failure are pithy, unsentimental, and defiant, and they add up to an unexpected and renegade wisdom literature.
Bryn says: This may seem like a group of unrelated aphorisms at first glance, but keep going and you'll see they amount to a heavy dose of wisdom literature. It's perfect for someone on the verge of making a big decision or life change - letting someone else try to make order of what's in your head.
Named a Most Anticipated/Best Book of the Month by: NPR * USA Today * Time * Washington Post * Vulture * Women's Wear Daily * Bustle * LitHub * The Millions * Vogue * Nylon * Shondaland * Chicago Review of Books * The Guardian * Los Angeles Times * Kirkus * Publishers Weekly
So often deployed as a jingoistic, even menacing rallying cry, or limited by a focus on passing moments of liberation, the rhetoric of freedom both rouses and repels. Does it remain key to our autonomy, justice, and well-being, or is freedom's long star turn coming to a close? Does a continued obsession with the term enliven and emancipate, or reflect a deepening nihilism (or both)? On Freedom examines such questions by tracing the concept's complexities in four distinct realms: art, sex, drugs, and climate. Drawing on a vast range of material, from critical theory to pop culture to the intimacies and plain exchanges of daily life, Maggie Nelson explores how we might think, experience, or talk about freedom in ways responsive to the conditions of our day. Her abiding interest lies in ongoing "practices of freedom" by which we negotiate our interrelation with--indeed, our inseparability from--others, with all the care and constraint that entails, while accepting difference and conflict as integral to our communion. For Nelson, thinking publicly through the knots in our culture--from recent art-world debates to the turbulent legacies of sexual liberation, from the painful paradoxes of addiction to the lure of despair in the face of the climate crisis--is itself a practice of freedom, a means of forging fortitude, courage, and company. On Freedom is an invigorating, essential book for challenging times.
With contributions by: William Boyd, Candice Carty-Williams, Imtiaz Dharker, Roddy Doyle, Pico Iyer, Robert Macfarlane, Andy Miller, Jackie Morris, Jan Morris, Sisonke Msimang, Dina Nayeri, Chigozie Obioma, Michael Ondaatje, David Pilling, Max Porter, Philip Pullman, Alice Pung, Jancis Robinson, S.F.Said, Madeleine Thien, Salley Vickers, John Wood and Markus Zusak
'This story, like so many stories, begins with a gift. The gift, like so many gifts, was a book...'So begins the essay by Robert Macfarlane that inspired this collection.
North Carolina writer and publisher Alexis Orgera's new memoir, HEAD CASE: MY FATHER, ALZHEIMER'S & OTHER BRAINSTORMS, is a lyric experiment written in the immediacy of grief during the end stages of her father's early Alzheimer's diagnosis at age 52--a disease that is a national epidemic. The book chronicles the visceral and painful experience of a daughter watching her beloved, formerly high functioning father disappear, and explores the stories that unfurl, daily, all around us. After moving from Los Angeles to Florida to be near her parents as they navigated her father's deteriorating condition, Orgera spent the days with her father painting, listening to music, taking walks, reading poems, sitting on the porch and later in the courtyard of his memory facility and furiously recording the moments while examining her own memories. To begin to understand the emotional impact of a human unraveling by memory loss, Orgera tells the story through a kaleidoscopic lens of mythology and religion, visual art, migraines, ghosts, poetry, and science. Both a deep lament for a well-loved man and an exploration of what it means to live a good life, HEAD CASE invites you to better understand yourself more deeply as well as the human condition.
Literary Nonfiction. Women's Studies. Memoir.