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Poetry

Art of Haiku

Art of Haiku

Addiss, Stephen
$29.95
In the past hundred years, haiku has gone far beyond its Japanese origins to become a worldwide phenomenon--with the classic poetic form growing and evolving as it has adapted to the needs of the whole range of languages and cultures that have embraced it. This proliferation of the joy of haiku is cause for celebration--but it can also compel us to go back to the beginning: to look at haiku's development during the centuries before it was known outside Japan. This in-depth study of haiku history begins with the great early masters of the form--like Basho, Buson, and Issa--and goes all the way to twentieth-century greats, like Santoka. It also focuses on an important aspect of traditional haiku that is less known in the West: haiku art. All the great haiku masters created paintings (called haiga) or calligraphy in connection with their poems, and the words and images were intended to be enjoyed together, enhancing each other, and each adding its own dimension to the reader's and viewer's understanding. Here one of the leading haiku scholars of the West takes us on a tour of haiku poetry's evolution, providing along the way a wealth of examples of the poetry and the art inspired by it.
Now We're Getting Somewhere

Now We're Getting Somewhere

Addonizio, Kim
$15.95

Kim Addonizio's sharp and irreverent eighth volume, Now We're Getting Somewhere, is an essential companion to your practice of the Finnish art of kalsarikännit--drinking at home, alone in your underwear, with no intention of going out. Imbued with the poet's characteristic precision and passion, the collection charts a hazardous course through heartache, climate change, dental work, Outlander, semiotics, and more.

Combatting existential gloom with a wicked, seductive energy, Addonizio investigates desire, loss, and the madness of contemporary life. She calls out to Walt Whitman and John Keats, echoes Dorothy Parker, and finds sisterhood with Virginia Woolf.

Sometimes confessional, sometimes philosophical, these poems weave from desolation to drollery and clamor with raucous imagery: an insect in high heels, a wolf at an uncomfortable party, a glowing and self-serious guitar.

A poet whose "voice lifts from the page, alive and biting" (Sky Sanchez, San Francisco Book Review), Addonizio reminds her reader, "if you think nothing & / no one can / listen I love you joy is coming."

Poet's Companion: A Guide to the Pleasures of Writing Poetry

Poet's Companion: A Guide to the Pleasures of Writing Poetry

Addonizio, Kim
$17.95
From the nuts and bolts of craft to the sources of inspiration, this book is for anyone who wants to write poetry - and do it well. Brief essays on the elements of poetry, technique, and suggested subjects for writing are each followed by distinctive writing exercises. ("Compare an actual family photograph with one that was never taken, but might have been.") The ups and downs of the writing life - including self-doubt and writer's block - are here, along with tips about getting published and writing in the electronic age. On your own, this book can be your "teacher, " while groups, in or out of the classroom, can profit from sharing weekly assignments.
Best New Poets 2021: 50 Poems from Emerging Writers

Best New Poets 2021: 50 Poems from Emerging Writers

Akbar, Kaveh
$12.95
The work of the fifty writers represented here provides the best perspective available on the continuing vitality of poetry as it is being practiced today.
Akhmatova: Poems

Akhmatova: Poems

Akhmatova, Anna
$14.95

A legend in her own time both for her brilliant poetry and for her resistance to oppression, Anna Akhmatova--denounced by the Soviet regime for her "eroticism, mysticism, and political indifference"--is one of the greatest Russian poets of the twentieth century.

 

Before the revolution, Akhmatova was a wildly popular young poet who lived a bohemian life. She was one of the leaders of a movement of poets whose ideal was "beautiful clarity"--in her deeply personal work, themes of love and mourning are conveyed with passionate intensity and economy, her voice by turns tender and fierce. A vocal critic of Stalinism, she saw her work banned for many years and was expelled from the Writers' Union--condemned as "half nun, half harlot." Despite this censorship, her reputation continued to flourish underground, and she is still among Russia's most beloved poets.

 

Here are poems from all her major works--including the magnificent "Requiem" commemorating the victims of Stalin's terror--and some that have been newly translated for this edition.

Scott says: A legend in her own time both for her brilliant poetry and for her resistance to oppression, Anna Akhmatova—denounced by the Soviet regime for her “eroticism, mysticism, and political indifference”—is one of the greatest Russian poets of the twentieth century. 


Selected Poems

Akhmatova, Anna; Thomas, D. M.
$15.00
Charting the Lost Continent: Poetry and Other Discoveries

Charting the Lost Continent: Poetry and Other Discoveries

Albert, Linda
$12.00

Poetry has the power to help us deeply connect with others while accessing our higher selves. At its best, poetry can act as a reflective mirror and catalyst for personal growth and societal change. Charting the Lost Continent comes at a time in history when its message is more important than ever as both men and women collectively work toward female empowerment, self-acceptance, and gender equality. The author has arranged this collection in sections that reflect the universal themes and life passages of women, taking readers along on a courageous journey of navigation and discovery.

Linda Albert is an internationally published award-winning poet, essayist, and former theater director. A certified Jungian Archetypal Pattern Analyst and communication coach with a Master Certification in Neurolinguistics, Linda's poetry is influenced by her interest and academic training in those areas as well as by the changing roles of contemporary women and her personal joys, struggles, and insights. Her awards include the Olivet and Dyer-Ives Foundation Poetry Prizes and the Atlanta Review's International Merit Award for poetry.

World

World

Amaral, Ana Luisa
$16.95
World--Ana Luísa Amaral's second collection with New Directions--offers a new exhilarating set of poems that convey wonder, bemusement, and an ever-deepening appreciation of life. Weaving the thread that connects the poem to life, World speaks of our immense human perplexity in the face of everything around us and our oneness with it all. As Amaral notes, all of us, "humans and non-humans, are on the same ontological level, the differences being only a matter of perspective. We are all made of the same stuff as dreams--and stars." Asked about her thoughts on World, Amaral's peerless translator Margaret Jull Costa replied: "What I take from this collection of poems is a sense of joy in the ordinary--seeing an ant going about its business, or a bee or a fish, or the feeling of sharing a whole history with a particular table, or watching a very ordinary woman sitting on a train playing with the handle of her handbag. World also brings us meditations on colonization, slavery, and whaling. Like the world, it is full of surprises and full of joy and sadness." These vibrant, exultant poems invite you to share this marvelous world: Yes, all you need (how easy!) is to say yes.
Garbage

Garbage

Ammons, A. R.
$15.95
"A. R. Ammons's poem with the unforgettable title is a defense of meaning--'this, ' the poet says, 'are awash in ideality.' Garbage is an epic of ideas: all life--not that of human beings alone, but every species--is shown to be part of an ultimate reality. Eternity is here and now. The argument ranges widely with a wealth of images taken from science, and the world around us, the writing by turns impassioned and witty. For power of the thought and language, the poem takes its place alongside Whitman's Song of Myself--an American classic."--Citation for the 1993 National Book Award for Poetry
All The Names Given

All The Names Given

Antrobus, Raymond
$16.95

On the heels of his much-lauded debut collection, Raymond Antrobus continues his essential investigation into language, miscommunication, place, and memory in All The Names Given, while simultaneously breaking new ground in both form and content.

The collection opens with poems about the author's surname--one that shouldn't have survived into modernity--and examines the rich and fraught history carried within it. As Antrobus outlines a childhood caught between intimacy and brutality, sound and silence, and conflicting racial and cultural identities, the poem becomes a space in which the poet reckons with his own ancestry, and bears witness to the indelible violence of the legacy wrought by colonialism. The poems travel through space--shifting fluidly between England, South Africa, Jamaica, and the American South--and brilliantly move from an examination of family history into the wandering lust of adolescence and finally, vividly, into a complex array of marriage poems--matured, wiser, and more accepting of love's fragility. Throughout, All The Names Given is punctuated with [Caption Poems] partially inspired by Deaf sound artist Christine Sun Kim, in which the art of writing captions attempts to fill in the silences and transitions between the poems as well as moments inside and outside of them.

Formally sophisticated, with a weighty perception and startling directness, All The Names Given is a timely, tender book full of humanity and remembrance from one of the most important young poets of our generation.