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Staff Pick
The King of Jordan is turning 60! How better to celebrate the occasion than with his favorite pastime--fencing--and with his favorite sparring partner, Gabriel Hamdan, who must be enticed back from America, where he lives with his wife and his daughter, Amani.
Amani, a divorced poet, jumps at the chance to accompany her father to his homeland for the King's birthday. Her father's past is a mystery to her--even more so since she found a poem on blue airmail paper slipped into one of his old Arabic books, written by his mother, a Palestinian refugee who arrived in Jordan during World War I. Her words hint at a long-kept family secret, carefully guarded by Uncle Hafez, an advisor to the King, who has quite personal reasons for inviting his brother to the birthday party. In a sibling rivalry that carries ancient echoes, the Hamdan brothers must face a reckoning, with themselves and with each other--one that almost costs Amani her life.
With sharp insight into modern politics and family dynamics, taboos around mental illness, and our inescapable relationship to the past, Fencing with the King asks how we contend with inheritance: familial and cultural, hidden and openly contested. Shot through with warmth and vitality, intelligence and spirit, it is absorbing and satisfying on every level, a wise and rare literary treat.
The King of Jordan is turning 60! How better to celebrate the occasion than with his favorite pastime--fencing--and with his favorite sparring partner, Gabriel Hamdan, who must be enticed back from America, where he lives with his wife and his daughter, Amani.
Amani, a divorced poet, jumps at the chance to accompany her father to his homeland for the King's birthday. Her father's past is a mystery to her--even more so since she found a poem on blue airmail paper slipped into one of his old Arabic books, written by his mother, a Palestinian refugee who arrived in Jordan during World War I. Her words hint at a long-kept family secret, carefully guarded by Uncle Hafez, an advisor to the King, who has quite personal reasons for inviting his brother to the birthday party. In a sibling rivalry that carries ancient echoes, the Hamdan brothers must face a reckoning, with themselves and with each other--one that almost costs Amani her life.
With sharp insight into modern politics and family dynamics, taboos around mental illness, and our inescapable relationship to the past, Fencing with the King asks how we contend with inheritance: familial and cultural, hidden and openly contested. Shot through with warmth and vitality, intelligence and spirit, it is absorbing and satisfying on every level, a wise and rare literary treat.
Georgia says: It's a lovely read. It's fiction, but based on stories passed down through Diana Abu-Jaber's family, who were politically well-connected in Jordan. It's the story of a young woman exploring her family's past and finding unexpected revelations
James says: Extraordinary intel on birds I never knew existed. Required for bird lovers!
Nora says this book is one of the greatest adventure books of all time.
Bryn says: If you like Childish Gambino's "This is America," you'll love "Friday Black." Using fantastical elements and fierce humor, these stories confront the painful absurdities that black men and women contend with every day. You'll see that the truth is what's most disturbing.
NEW YORK TIMES BESTSELLER. A piercingly raw debut story collection from a young writer with an explosive voice; a treacherously surreal, and, at times, heartbreakingly satirical look at what it’s like to be young and black in America.
From the start of this extraordinary debut, Nana Kwame Adjei-Brenyah’s writing will grab you, haunt you, enrage and invigorate you. By placing ordinary characters in extraordinary situations, Adjei-Brenyah reveals the violence, injustice, and painful absurdities that black men and women contend with every day in this country.
These stories tackle urgent instances of racism and cultural unrest, and explore the many ways we fight for humanity in an unforgiving world. In “The Finkelstein Five,” Adjei-Brenyah gives us an unforgettable reckoning of the brutal prejudice of our justice system. In “Zimmer Land,” we see a far-too-easy-to-believe imagining of racism as sport. And “Friday Black” and “How to Sell a Jacket as Told by IceMan” show the horrors of consumerism and the toll it takes on us all.
Entirely fresh in its style and perspective, and sure to appeal to fans of Colson Whitehead, Marlon James, and George Saunders, Friday Black confronts readers with a complicated, insistent, wrenching chorus of emotions, the final note of which, remarkably, is hope.
Published in 1957, two years after its author's death at the age of forty-five, A Death in the Family remains a near-perfect work of art, an autobiographical novel that contains one of the most evocative depictions of loss and grief ever written. As Jay Follet hurries back to his home in Knoxville, Tennessee, he is killed in a car accident--a tragedy that destroys not only a life, but also the domestic happiness and contentment of a young family. A novel of great courage, lyric force, and powerful emotion, A Death in the Family is a masterpiece of American literature.
Roxanne says: Published posthumously and awarded the Pulitzer Prize, Agee's ode to family and Southern living is both graceful and deeply resonant.
A legend in her own time both for her brilliant poetry and for her resistance to oppression, Anna Akhmatova--denounced by the Soviet regime for her "eroticism, mysticism, and political indifference"--is one of the greatest Russian poets of the twentieth century.
Before the revolution, Akhmatova was a wildly popular young poet who lived a bohemian life. She was one of the leaders of a movement of poets whose ideal was "beautiful clarity"--in her deeply personal work, themes of love and mourning are conveyed with passionate intensity and economy, her voice by turns tender and fierce. A vocal critic of Stalinism, she saw her work banned for many years and was expelled from the Writers' Union--condemned as "half nun, half harlot." Despite this censorship, her reputation continued to flourish underground, and she is still among Russia's most beloved poets.
Here are poems from all her major works--including the magnificent "Requiem" commemorating the victims of Stalin's terror--and some that have been newly translated for this edition.
Scott says: A legend in her own time both for her brilliant poetry and for her resistance to oppression, Anna Akhmatova—denounced by the Soviet regime for her “eroticism, mysticism, and political indifference”—is one of the greatest Russian poets of the twentieth century.